Exploring NYC's Hidden Power: ConEd Steam Pipes - A Journey Beneath the City Streets

Dive into NYC's unseen marvel: ConEd's steam pipes. Discover the city's underground energy network creating urban steam art, transforming streets into a city sauna.

One more special post for tonight: New York’s underground steam pipes are putting on a show! Walked into an epic steam cloud today - it’s like a city sauna. The streets are calm, making it easy to admire this steamy spectacle. Con Edison’s doing its thing, creating urban steam art. #NYCSteam #CitySauna #UrbanWonders 🌆💨🔥

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The Miraculous Tale of Saint Nicholas and the Resurrected Children: A Christmas Legend

Discover the astonishing story of Saint Nicholas, the inspiration behind Santa Claus, and his miraculous rescue of three boys. This Christmas, explore the rich tapestry of legends that shape our festive traditions.

Visit the Metropolitan Museum of Art and See Santa Claus (Well, sort of)

During my thousandth visit to the Metropolitan Museum of Art in 2023, I had a memorable encounter with Saint Nicholas. His feast day, celebrated in early December, reminds us of a tradition where children leave a shoe out on December 6th for him to fill with sweets. Saint Nicholas, known for saving three children from a butcher's sinister plot, exemplifies generosity and wonder. In the 4th century, Saint Nicholas, the kind bishop of Myra, now Demre, Turkey, became a beacon of hope and inspiration. A grisly tale connects him with three unfortunate boys. A malicious butcher, intending to sell them as ham, met his match in Nicholas, who, upon discovering the crime, miraculously resurrected the boys. This story, while gruesome, highlights the enduring kindness and miraculous power of Saint Nicholas, a figure who continues to captivate our imaginations and hearts during the Christmas season. His miraculous intervention not only saved these children but also redeemed the butcher who repented of his evil deeds and turned to Christ. How un-pickly of him!

Today, children look forward to delightful surprises, a far cry from the perils of the past. As we revel in the festive season, let's remember the rich stories that weave through our traditions. What's your favorite Christmas legend?

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Medieval Majesty: Exploring the Intricacies of 11th Century Ivory Art at the Metropolitan Museum of Art

Journey through the Metropolitan Museum's medieval wing with an insightful look at a unique 11th-century ivory carving of Christ 'The Door' and a plaque featuring the Four Evangelists, unveiling the rich tapestry of Byzantine, Islamic, and Norman art influences.

Christ the Door

I find myself in the medieval wing of the Metropolitan Museum of Art, standing before an exquisite ivory carving of Christ. This piece, likely intended as a book plate for an illuminated manuscript, originates from the 11th century CE. During this period, particularly in Southern Italy, there was a flourishing of art influenced by a confluence of diverse cultures — Byzantine, Islamic, and Norman, to name a few.

The Metropolitan Museum of Art has interesting artifacts—like this ivory object depicting Christ surrounded by symbols of the four Evangelists.

Such ivory works were integral to the trade networks linking the Islamic world and other regions across the Arab world, serving as a testament to the cultural intersections at the Mediterranean crossroads. This is evident in the variety of objects within this display case, all crafted from ivory, symbolizing this rich cultural exchange.

Interestingly, this particular depiction of Christ is unique. He is shown holding the gospel book, referencing a passage from the Gospel of John, Chapter 10: ‘I Am the Door.’ It’s a fascinating symbolic choice, as Christ is not commonly portrayed as a door, despite the theological significance of the metaphor — representing the doorway to salvation. This element adds a distinctive layer to this already remarkable artifact.

The Four Evangelists

In the same display of ivory works, I stumbled upon another mesmerizing piece of history - an ivory plaque dating back to around 1050 CE. By the way — in the following video, I apologize for the audio quality; the museum is busy today!

🛡️ A Journey Through History at The Met’s Arms and Armor Gallery 🏰

Explore medieval combat and chivalry at The Met's Arms and Armor Gallery. Discover the impact of 'dexterous' warriors and the art of jousting.

 

I’m up early this morning, y’all. Today’s adventure brought me to the awe-inspiring arms and armor room at the Metropolitan Museum of Art. Here, amidst the relics of the Middle Ages, I found myself pondering the art of warfare and chivalry.

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From the magnificent European suits of armor to the exquisite samurai gear of Japan’s Edo period, the collection is a vivid tapestry of history and culture. 🗡️🎎

Snapshot of History: Unveiling Maxime Du Camp's Salt Print Masterpiece at the Metropolitan Museum of Art

Discover a rare Maxime Du Camp salt print at the Met, a pioneering work of travel photography with ties to Gustave Le Gray and Eugène Viollet-le-Duc.

I’m in the Metropolitan Museum of Art today; I am captivated by a remarkable piece of photographic history - a salt print from the French photographer Maxime Du Camp. This print, possibly developed in Gustave Le Gray’s studio, holds a rich narrative beyond its visual allure.

Maxime Du Camp, a journalist with no prior experience in photography, learned the craft under the tutelage of Le Gray shortly before embarking on an ambitious journey to Egypt and the Near East in 1849. Accompanied by Gustave Flaubert, Du Camp set out to meticulously document ancient monuments and archaeological sites. Their expedition, which extended up the Nile and into Palestine, Turkey, and Greece, culminated in the influential album “Egypte, Nubie, Palestine et Syrie,” published in 1852. This collection, showcasing 125 photographs, was a pioneering effort in the field of travel photography and earned Du Camp instant acclaim.

What makes this piece at the Met even more intriguing is its possible provenance. It is thought to have once belonged to the esteemed architect Eugène Viollet-le-Duc. The print in the Met’s collection, part of a private printing that goes beyond the published edition, is notable for its warm color and luminescence, traits that enhance its historical and aesthetic value.

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Imminent, eminent, or immanent? (What are the differences in meaning between these three words?)

A view from immanence

Commonly Misused Words:

What is the difference between imminent, eminent, and immanent?

I read a blog article on the "eminent" release of the iPad 2. Is there a problem here? While the iPad is an eminent tablet device, no doubt, the correct word choice should have been "imminent."
Differences in Meaning
    The two words are understandably confusing since the difference in meaning relies on the placement of an "e" or an "i."
    Imminent simply means "coming soon," or, "on the way," as in the phrase, "the imminent demise of the laptop in a tablet-crazed world."
    Eminent (one "m") means noteworthy or deserving of esteem, or recognition. Prince Charles has the eminent title of Prince of Wales.
Differences in Pronunciation
    Note there is a slight pronunciation difference. The two words are not homophones, meaning they sound alike but have different meanings. The "em" in eminent is the em sound in M&M (the last "m"). The "im" in imminent is an "im" sound as in the vowel sound in "him."
    Both words, imminent and eminent, also have noun forms, imminence and eminence. So watch out for those too when they pop up. A Cardinal of the Catholic Church is called, "Your Eminence," in a formal address. Not Your Imminence.
    To make it more complicated there's the word "immanent" which sounds like imminent. If something is immanent, however, it means it's "at hand."
    I can say that my existence is immanent, "within reach," and not in a far-away sky out of reach.
Special Meanings, Too
    In philosophy, we use the opposing pairing of immanent, "at hand," with "transcendent," beyond reach.
    Immanent can also have a noun form, "immanence."

Find teacher-related resources

on the Stones of Erasmus TpT Store.

Got that? Eminent, imminent, and immanent. They're different.

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Skeeter Explains Kant's Use of the Word "Apodictic" in the Nickelodeon Animated Series Doug

When filmmakers (or in this case - animated television show creators) want to show that a character is super smart, the go-to prop must be a copy of Kant's Critique of Pure Reason! A few weeks ago I posted a video of Lorelei Ambrosia, a villain from the film Superman III, reading Kant's book. In that scene, Lorelei does not read from the book's text, but she does give a glossy summary of transcendental categories that may or may not make sense depending on how you look at it. In the above scene, Doug's friend Skeeter does a pretty good job of explaining Kant's mission to solve the problem of what constitutes a universal foundation for all knowledge!

Here is the transcript* of Doug and Skeeter's conversation on The Critique of Pure Reason:

Doug: [Reading the book's title] Critique of Pure Reason? What's this?


Skeeter: [Tying his shoes] Oh. Just some book. It's pretty cool. 

Doug: [Trying to pronounce the word] The possibility of apodic-, apodic-?

Skeeter: [stressing the pronunciation] Apodicitic!

Doug: Apodictic principles? What's that?

Skeeter: Well. Kant is using the word oddly here because he wants to prove an apriori body of synthetic knowledge is exhibited in the general doctrine of motion .... [soundtrack goes whacky and spoken voice is difficult to discern] .... apriori knowledge can't be reached by empirical processes but apriori [unintelligible] must use strict universality or apodictic certainty ....

[Doug's eyes go into a psychedelic headspin and mathematical equations circle him in vertigo like fashion. We all see a screenshot of Skeeter's bookshelf which also includes Isaac Newton's book The Principia Mathematica. Skeeter's head balloons to suggest that he has a ton of knowledge]. 

[Back to reality] Doug? Doug? Are you OK, man?

Doug: Uh. Yeah. I think I better go.

Skeeter: OK. See ya!

*I had trouble transcribing Skeeter's analysis of Kant but I think I got most of it. The soundtrack becomes muddled between the 35 and 53 seconds mark.

Doug © 1991 Nickelodeon

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