Dive into NYC's unseen marvel: ConEd's steam pipes. Discover the city's underground energy network creating urban steam art, transforming streets into a city sauna.
One more special post for tonight: New York’s underground steam pipes are putting on a show! Walked into an epic steam cloud today - it’s like a city sauna. The streets are calm, making it easy to admire this steamy spectacle. Con Edison’s doing its thing, creating urban steam art. #NYCSteam #CitySauna #UrbanWonders 🌆💨🔥
Discover the astonishing story of Saint Nicholas, the inspiration behind Santa Claus, and his miraculous rescue of three boys. This Christmas, explore the rich tapestry of legends that shape our festive traditions.
Visit the Metropolitan Museum of Art and See Santa Claus (Well, sort of)
During my thousandth visit to the Metropolitan Museum of Art in 2023, I had a memorable encounter with Saint Nicholas. His feast day, celebrated in early December, reminds us of a tradition where children leave a shoe out on December 6th for him to fill with sweets.
Saint Nicholas, known for saving three children from a butcher's sinister plot, exemplifies generosity and wonder. In the 4th century, Saint Nicholas, the kind bishop of Myra, now Demre, Turkey, became a beacon of hope and inspiration. A grisly tale connects him with three unfortunate boys. A malicious butcher, intending to sell them as ham, met his match in Nicholas, who, upon discovering the crime, miraculously resurrected the boys. This story, while gruesome, highlights the enduring kindness and miraculous power of Saint Nicholas, a figure who continues to captivate our imaginations and hearts during the Christmas season. His miraculous intervention not only saved these children but also redeemed the butcher who repented of his evil deeds and turned to Christ. How un-pickly of him!
Today, children look forward to delightful surprises, a far cry from the perils of the past. As we revel in the festive season, let's remember the rich stories that weave through our traditions. What's your favorite Christmas legend?
Exploring life's depths through philosophy while tidying up. Discovering life's value amid chaos and guessing the philosopher—not Nietzsche!
Embracing life’s chaos, rearranging not just my room but perspectives 🌀. Philosophizing from the floor, amidst a mess, because delay syndrome’s real. 🕰️ Understanding death’s inevitability teaches us to value the in-betweens. 🌌 Room’s a mess, but so is life, right? By the way — let me know in the comments if you can identify the philosopher whom I mention in the video. Hint — it's not Friedrich Nietzsche.
On Carrollton and Claiborne the Streetcar begins about three blocks from Notre Dame Seminary in New Orleans. The streetcar that I ride is classic Christmas green with brown edging. Usually once a week I’ll walk down to the streetcar stop to take a ride. My destinations vary. Yesterday I took the streetcar to visit a High School religion class on Saint Charles Avenue. I spoke to all four classes and at the end of the day got back on the streetcar, a train that does not care about race or sexuality, education or gender. We all sit in the same car (thanks to Rosa Parks) and commence on our respective journeys. One little girl about as tall as my knee told her girlfriend how she couldn’t wait to get home to eat cornflakes, take a hot bath and get a nap in before her momma got home. On another day, the driver spoke to me about the Presidential elections. He was very passionate about his election choice, warning me about the next four years. I thanked him for his observations and got off at the Latter Library. Another time some tourists in front of me were murmuring about how loud it was and how they should have stayed at the hotel to take a nap. I sat on the seat clutching my bookbag, protecting my laptop so it wouldn’t fall. Streetcars are bumpy, you know. The benches are hard so your body feels every movement, every shock of electricity. The lights will dim off and on near Carrollton and Willow. No one announces the stops. You just have to know. There are no maps in the car, just the signs from the windows. As I ride along, I watch the people get on and off and sometimes I hear the driver announce the next stop. She’ll even announce a good place to eat if you listen. This is journey. I’ve learned you have to listen if you want to reach some kind of spiritual maturity. It is a spiritual journey because it is humanity gathered together I see it as nearly as I see my own hand typing these words. It is humanity in the fullest sense, an existential snapshot of the human condition right there on Carrollton and Claiborne.
Journey through the Metropolitan Museum's medieval wing with an insightful look at a unique 11th-century ivory carving of Christ 'The Door' and a plaque featuring the Four Evangelists, unveiling the rich tapestry of Byzantine, Islamic, and Norman art influences.
Christ the Door
I find myself in the medieval wing of the Metropolitan Museum of Art, standing before an exquisite ivory carving of Christ. This piece, likely intended as a book plate for an illuminated manuscript, originates from the 11th century CE. During this period, particularly in Southern Italy, there was a flourishing of art influenced by a confluence of diverse cultures — Byzantine, Islamic, and Norman, to name a few.
The Metropolitan Museum of Art has interesting artifacts—like this ivory object depicting Christ surrounded by symbols of the four Evangelists.
Such ivory works were integral to the trade networks linking the Islamic world and other regions across the Arab world, serving as a testament to the cultural intersections at the Mediterranean crossroads. This is evident in the variety of objects within this display case, all crafted from ivory, symbolizing this rich cultural exchange.
Interestingly, this particular depiction of Christ is unique. He is shown holding the gospel book, referencing a passage from the Gospel of John, Chapter 10: ‘I Am the Door.’ It’s a fascinating symbolic choice, as Christ is not commonly portrayed as a door, despite the theological significance of the metaphor — representing the doorway to salvation. This element adds a distinctive layer to this already remarkable artifact.
The Four Evangelists
In the same display of ivory works, I stumbled upon another mesmerizing piece of history - an ivory plaque dating back to around 1050 CE. By the way — in the following video, I apologize for the audio quality; the museum is busy today!
Explore medieval combat and chivalry at The Met's Arms and Armor Gallery. Discover the impact of 'dexterous' warriors and the art of jousting.
I’m up early this morning, y’all. Today’s adventure brought me to the awe-inspiring arms and armor room at the Metropolitan Museum of Art. Here, amidst the relics of the Middle Ages, I found myself pondering the art of warfare and chivalry.
From the magnificent European suits of armor to the exquisite samurai gear of Japan’s Edo period, the collection is a vivid tapestry of history and culture. 🗡️🎎
Discover a rare Maxime Du Camp salt print at the Met, a pioneering work of travel photography with ties to Gustave Le Gray and Eugène Viollet-le-Duc.
I’m in the Metropolitan Museum of Art today; I am captivated by a remarkable piece of photographic history - a salt print from the French photographer Maxime Du Camp. This print, possibly developed in Gustave Le Gray’s studio, holds a rich narrative beyond its visual allure.
Maxime Du Camp, a journalist with no prior experience in photography, learned the craft under the tutelage of Le Gray shortly before embarking on an ambitious journey to Egypt and the Near East in 1849. Accompanied by Gustave Flaubert, Du Camp set out to meticulously document ancient monuments and archaeological sites. Their expedition, which extended up the Nile and into Palestine, Turkey, and Greece, culminated in the influential album “Egypte, Nubie, Palestine et Syrie,” published in 1852. This collection, showcasing 125 photographs, was a pioneering effort in the field of travel photography and earned Du Camp instant acclaim.
What makes this piece at the Met even more intriguing is its possible provenance. It is thought to have once belonged to the esteemed architect Eugène Viollet-le-Duc. The print in the Met’s collection, part of a private printing that goes beyond the published edition, is notable for its warm color and luminescence, traits that enhance its historical and aesthetic value.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
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