Dive into our review of 'The Midnight Library' by Matt Haig, a philosophical journey through alternate lives and existential questions.
Haig, Matt. The Midnight Library: A Novel. United States, HarperCollins, 2020.
Matt Haig’s “The Midnight Library” thoughtfully explores life’s choices and regrets. The story centers on Nora Seed, a former philosophy graduate student who now works as a music tutor and store clerk. Nora lives in Bedford, a small town north of London, and is navigating a series of personal tragedies. After contemplating suicide, Nora discovers the Midnight Library, a multiverse realm where she explores the numerous lives she could’ve lived.
How Giphy Imagines the Midnight Library
Haig deftly weaves in meticulous details that grow increasingly significant throughout the narrative. He introduces an array of alternate lives for Nora – a rock star, an Olympic swimmer, a glaciologist, and more, imbuing each with unique existential questions. The novel employs elements of fantasy to pose a provocative question to readers: What if we could live out all our 'what ifs?'
Haig peppers the story with philosophical musings, Nora’s favorite being Henry David Thoreau, inspiring readers to contemplate their own life choices and regrets. The novel offers up copious philosophical tidbits, as this one from Thoreau, “It's not what you look at that matters, it's what you see. You don't have to understand life. You just have to live it.” And this pithy, funny, but pointed quote from David Hume, “But the life of a man is of no greater importance to the universe than that of an oyster.”
Dive into the ancient Greek myth of Orpheus and Eurydice with a comprehensive, interactive, and distance-learning-optimized ELA resource.
Stones of Erasmus offers an Educational Download designed to teach the myth of Orpheus and Eurydice
In the realm of English Language Arts (ELA), the ancient, tragic tale of the Greek myth of Orpheus and Eurydice offers a rich tapestry of themes and lessons for middle and high school students. Stones of Erasmus has created a comprehensive educational resource that provides an engaging, interactive, and distance-learning optimized approach to this timeless tale.
Orpheus stands at the precipice of the underworld, known as Orcus in Roman mythology — and, as Hades in Greek mythology. This signifies the moment in the enduring myth of Orpheus when the gifted musician, driven by desperate love and profound grief, dares to venture into the realm of the dead. His aim, to retrieve his beloved Eurydice, would become one of the most poignant tales of love, loss, and the power of art in ancient myth.
The story of Orpheus, the divine musician who loses his wife Eurydice twice, is a poignant exploration of love, loss, and the creative power of music and art. Our resource brings this myth to life in the classroom, whether virtual or physical, through a variety of activities and discussion prompts.
Over a three-day lesson plan, students will delve into the myth, analyze its characters and themes, and engage in critical thinking. The resource includes:
1. Art + Literature Connections: Students compare the myth with artwork by renowned artists like Auguste Rodin, fostering a deeper understanding of the story.
2. Reading Cards: This lesson is most effective when supplemented with diverse texts from Edith Hamilton's Mythology, Bulfinch's Mythology, and Ovid's Metamorphoses. However, the resource also includes an introductory dictionary entry on classic Greek and Roman mythology for a comprehensive start.
3. Reading Comprehension and Critical Thinking Questions: These questions encourage students to delve deeper into the text, promoting comprehension and critical thinking.
4. Frayer Model Vocabulary Cards: This visual approach to vocabulary helps students understand terms, geography, and challenging words in the context of the story.
5. Exit Tickets: These provide immediate feedback on students' understanding of the lesson, helping teachers adjust future instruction as needed.
6. Essay Writing Activity: This activity caps off the lesson, allowing students to express their understanding of the myth in a creative way.
Our resource aligns well with the Common Core Standards, particularly the reading literature standard that encourages the analysis of a subject or key scene in two different artistic mediums.
Whether used as a stand-alone lesson or paired with a larger unit on Myth, Percy Jackson and the Lightning Thief, Robert Graves’s Greek Myths, or Edith Hamilton’s Mythology, or Parallel Myths by J.F. Bierlein, this resource offers a comprehensive and engaging exploration of the tragic love story of Orpheus and Eurydice.
For more resources like this, visit the Stones of Erasmus TpT store, and join us on our journey to make ELA education more engaging and interactive.
Unearth the charm of Jackson Heights, Queens, with Wink, the adorable penguin statue. Located at Elmjack Mall, this quirky city sight adds a touch of whimsy to the urban scene while playing a crucial role in traffic safety.
@cafedumonde Discovering the adorable quirks in the heart of Jackson Heights, Queens. Nestled within a grassy patch at the bustling intersection of 37th Road and 74th Street, a charming penguin statue guards the Elmjack Mall. Far from being just a delightful sight, this small figure plays a crucial role in traffic safety, poised to take on any potential impact. Located near the busy Roosevelt Avenue IRT elevated station, this hidden gem adds a touch of whimsy to the urban scene. • • • #JacksonHeights#Queens#PenguinStatue#ElmjackMall#UrbanExploration#QuirkyCitySights♬ original sound - A.G. Millington
A delightful surprise awaits urban explorers in the heart of Jackson Heights, Queens. Amidst the hustle and bustle of 37th Road and 74th Street, a charming penguin statue named Wink stands guard at the Elmjack Mall. This whimsical figure, far from being just a delightful sight, plays a crucial role in traffic safety, ready to absorb any potential impact.
Wink is located near the busy Roosevelt Avenue IRT elevated station, adding a touch of whimsy to the urban scene. This small, yet significant figure has become a beloved landmark in the neighborhood, a symbol of the unique charm that Jackson Heights has to offer.
Wink's presence serves as a reminder that amidst the urban jungle, there's always room for a bit of fun and imagination. So, the next time you find yourself in Queens, be sure to pay a visit to this charming sentinel of the city streets."
Explore the joyful world of Pee-Wee Herman, brought to life by the legendary Paul Reubens. A nostalgic journey of unapologetic playfulness and iconic laughter.
Paul Reubens plays "Pee-Wee Herman" in Tim Burton's iconic 1985 film.
When I was a child, waking up early on Saturdays meant one thing: watching Pee-Wee's Playhouse. Little did I know that my love for this whimsical character, portrayed by the legendary Paul Reubens, would become a defining aspect of my childhood and leave an everlasting mark on my life.
At first, my parents might have thought my fascination with Pee-Wee was just a typical childhood obsession with colorful and silly television shows. After all, Pee-Wee's Playhouse was a delightful series featuring anthropomorphic household items like talking sofas and a witty globe. What could be more harmless?
However, my family's concerns started when I began to imitate Pee-Wee incessantly. I talked like him, walked like him, and found myself endlessly inspired by his exuberant personality: "La-la-la-la-la." At times, I even found myself quoting his iconic lines, such as the famous exclamation about not messing with someone's dots. And I would say stuff like, "Knock! Knock! Who's there?" and "I know you are, but what am I?" I had fully embraced Pee-Wee's persona and couldn't help but express it, even in public places like the Piggly-Wiggly during grocery shopping trips.
While my mother, father, and older brother were not entirely pleased (and my younger brother just shrugged his shoulders) with my Pee-Wee imitations outside the comfort of our home, I felt a connection with the character that went beyond surface-level entertainment. Pee-Wee represented something deeper to me - a sense of jouissance, wild abandon, and the desire to be extraordinary and unapologetically unique.
When Pee-Wee's Big Adventure hit the big screens, I was six years old and already in my element, loving to show off and talk endlessly about my favorite things. Interestingly, my other passion at the time was listening to Christian singer Sandy Patti, which might have seemed like an odd combination for a young child. Nevertheless, my love for Pee-Wee and Sandy Patti knew no bounds.
The movie itself was a dream come true. I adored the Rube Goldberg contraption that prepared a simple bowl of cereal and fed the dog in the opening scene. And of course, who could forget Pee-Wee's beloved bike? I yearned for a life like his, filled with color, joy, and a happy home.
Looking back on those memories now, I realize that Pee-Wee was more than just a character to me. He represented a fantasy, a glimpse into an intriguing and liberating life. In my young mind, Pee-Wee embodied the essence of what I thought a happy and carefree life might look like - a single man, riding his bike, surrounded by a vibrant and accepting community. But most importantly, he cherished what mattered most to him - his beloved bike.
As the news of Paul Reubens' passing on July 30th, 2023, reached the world, I couldn't help but feel a profound sense of gratitude for the joy he brought to countless lives, including mine. The iconic laugh that resonated with so many of us will forever remain etched in our hearts.
Pee-Wee's Laugh: Which I Imitated Incessantly Until My Parents Forbade Me to Laugh Like Him.
So here's to you, Mr. Reubens. Thank you for sharing the gift of Pee-Wee Herman with the world. Your unapologetic embrace of joy and playfulness touched the lives of many, including a little boy who found solace and happiness in your exuberant character. Heh heh heh!
Embark on a historical journey with a visit to the Metropolitan Museum of Art, home to a striking 13th-century French limestone sculpture of St. Firmin, the fourth-century multitasker. Explore the mesmerizing world of medieval art and uncover the enigmatic saint's intriguing tale of unwavering faith, becoming a bishop, and his peculiar post-decapitation joy.
I am at the Metropolitan Museum of Art today, and I embark on a captivating journey through time as we explore the mesmerizing world of medieval art at the Metropolitan Museum of Art. Our focus lies on an intriguing 13th-century French limestone sculpture of none other than St. Firmin, a high-achieving multitasker hailing from the fourth-century (i.e., a Roman Catholic Saint with a penchant for carrying his decapitated head).
Encountering St. Firmin, the ultimate multitasker from the 4th century, at the #MetropolitanMuseumOfArt today. 🎨🏛️ Staring at this 13th-century French wooden sculpture, it's clear this #Saint wasn't your average holy man! 😇🙏 Quickly ascending the celestial corporate ladder, he claimed the coveted position of Bishop at #Amiens.
But here's the quirky part — he's joyfully holding his head! Yes, you read that right. A case of post-decapitation bliss, perhaps? 😂🤔 Nevertheless, he seems quite content. Go, hun!
A day well spent appreciating #ArtHistory and uncovering some divine oddities. Truly, there's nothing like a #SaintStory to keep things interesting! 💫📖
As we stand before this masterful creation, we can't help but wonder about the life and accomplishments of this enigmatic saint. St. Firmn's journey was one of immense determination and unwavering faith. Climbing the celestial corporate ladder, he eventually earned the esteemed position of bishop at Amiens, France – a feat that undoubtedly demanded great dedication and virtue.
Yet, what truly captivates us is the portrayal of St. Firmin holding his head in his hands, an expression of joy illuminating his features. His happiness and contentment in this sculpture are palpable, leaving us with the question: What was the source of his boundless joy?
Saint Firmin
Indeed Saint Firmin is a real person and is said to have been beheaded in Amiens, France; his feast day is celebrated on September 25th. However, historical records do not confirm the exact year of his death. It's believed to have occurred during the early 4th century, possibly around 303 C.E. Miracles attributed to the discovery and translation of his relics during the time of Bishop Savin are part of the saint's hagiography.
Steeped in history, medieval art provides a rich tapestry of stories that often speak to the human experience. St. Firmn's sculpture is no exception. The depiction of a saint holding his head symbolizes his unwavering devotion to the church, even amidst the trials and challenges he faced. Also, Saint Firmin is a martyr, which means he gave up his life for his belief and devotion to Christ. In this way, martyrs are often depicted in the same way they were killed — in this example, by cutting off the poor saint's head. To illustrate that for the Christian — death is not the end, but a beginning — he carries his head as a defiance against the ravages of sin and death. And how are you doing?
Seeing such a treasure trove of medieval pieces at the Metropolitan Museum of Art is also cool. The museum serves as a befitting venue for our encounter with St. Firmn. Its halls house an extensive collection of art that transcends time, mimicking the architecture of a Gothic cathedral, allowing us to connect with our past and embrace the beauty of diverse cultures and histories.
So, next time you find yourself at the Met, take a moment to visit this 13th-century French limestone sculpture and meet the remarkable St. Firmn. Witness his joy and dedication, and let it be a reminder that happiness lies in pursuing our passions and fulfilling our purpose in life. Keep your head on properly.
In conclusion, a visit to the Metropolitan Museum of Art can be more than just an exploration of history – it can also be an introspective journey, connecting us with the triumphs and struggles of those who came before us. Let St. Firmn's story inspire us as we continue our paths, aiming to find joy and fulfillment in our endeavors, just as he did in the fourth century.
Percy writes about perception and reality in his 1961 novel The Moviegoer.
In this post, I explore the captivating world of language manipulation and marketing tactics by making my own thought experiment called "Walker Percy's Hamburger."
Would you like a yummy hamburger?
Metaphorical Journey into Authenticity
Picture this: You're cruising down a highway, and suddenly, an image of a perfect, glistening hamburger on a billboard catches your eye. This isn't just any burger; it's an artistic masterpiece that sends your taste buds into a frenzy. It's got glistening lettuce peeking out of the bun, a crispy patty, oozing mayo, and an immaculate spherical bun. This image is so compelling that you find yourself making an unplanned pit stop at the advertised restaurant. However, the reality that awaits you, sadly, is far from the tantalizing image promised. This dichotomy between representation and reality is a phenomenon that American novelist Walker Percy masterfully encapsulated. It also presents a fascinating lens through which we can explore the influence and manipulation of language, especially within the realm of our capitalist consumption.
Walker Percy's Hamburger
Walker Percy's illustration of the mouth-watering burger, which ends in disappointment, serves as a perfect metaphor for how language and marketing tactics can manipulate our expectations. These linguistic structures have a unique way of extending our experiences by luring us with attractive phrases, glamorous pictures, and strategically crafted narratives. One could even say that these structures are filled with what some have coined as "non-content fillables". They don't necessarily provide new information or factual content, yet they prove irresistible. Terms like "popular", "famous", or "most visited" are quintessential examples of these fillables. They aren't verifiable facts or insightful opinions, but they command attention and evoke intrigue, often without any accountability from the advertiser.
This practice extends beyond the fast-food industry and permeates our social world, shaping our perceptions and our consumption patterns. One might argue that these manipulative language structures hinder our ability to experience reality authentically or that they foster distrust. Yet, I propose a different perspective: This phenomenon could also serve as a tool to sharpen our critical thinking. It encourages us to dissect and investigate what's presented to us, essentially turning us into detectives of authenticity in an era of manufactured realities.
Do you know what happens when you go and organize your computer’s unorganized files — a book review you forgot to publish in 2012. But I really do love Lionel Shriver — so here’s to her fantastic novel — The Post-Birthday World.
Lionel Shriver’s novel, ‘The Post-Birthday World’, introduces readers to the life of Irina McGovern, a children’s book author, and illustrator residing in London. An expatriate from America, Irina lives with her intelligent and considerate husband, Lawrence Trainer, who is employed at a prominent think tank. The novel portrays Irina’s seemingly blissful existence with Lawrence and delves into two intriguing yet diverging narratives.
Irina remains steadfastly committed to her marriage in one narrative, while the other embarks on a path filled with illicit romance with Ramsey Acton, a celebrated snooker player. The novel's structure is ingeniously designed, oscillating between two parallel plotlines after the first chapter. Shriver ingeniously uses this technique to depict the duality of choices and their subsequent consequences, a feat that adds a captivating layer to the narrative.
A key incident serves as the catalyst for this dual narrative structure. During an annual dinner with Jude, Irina’s friend, and Ramsey’s former wife, an opportunity presents itself as a possible kiss with Ramsey. What transpires afterward is determined by two possible reactions - either she succumbs to the temptation while her husband Lawrence is away, or she resists it. The narrative splits here, henceforth offering two separate chapters for each version of the events.
