Photograph: Bubbles

Boy makes bubbles in Central Park

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If You Try To Contact Me On My Website I May Just Respond (See Below For Details)

"Starry Night" gets more views than Stones of Erasmus.
But Who's Counting. Google check your algorithm.

Yes, if you e-mail me at the stonesoferasmus 

domain I will try to write back: unless your e-mail meets the following conditions:

1. spam. yuck. i don't eat the stuff

2. if you know me and just want to say, "hey"

3. hate mail. no one sends me hate mail to my other addresses, so why here? prolly won't happen

4. queries about hooking up (use another site)

5. homework help

6. queries to proofread (argghhh)

Although, I will respond most expeditiously to the following messages:

1. corrections. i like to be corrected on factual stuff. i'm no wikipedia

2. suggestions

3. rants

4. raves

5. ways you used my content

6. blah blah

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MTA Service Change Notice With Extras

On a service disruption memo left on the subway platform, a straphanger has scribbled the phone numbers of the New York Police Department Internal Affairs Department and the Civilian Complaint Review Board.

Someone Wants Us to Complain to the MTA/NYPD

I'm not so sure a call to the NYPD internal affairs office will help much with a planned service change. Gotta love the subways on the weekends. The funny part was two police officers were reading the sign just before I snapped the photo. The bottom left of the poster includes the phone number for the "Commission to Combat Police Corruption, 212-487-7350."

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Trinity Churchyard, Lower Manhattan, New York City

A quick visit to the churchyard at Trinity Church on Broadway in Manhattan reveals a little bit of early American History.

Trinity Churchyard, Manhattan

    Visit Alexander Hamilton's tomb here. And no, he was not a president. He was secretary of the treasury. He was killed in a duel by Aaron Burr on July 12, 1804.
     Showing this photography to a friend, he called it a memento mori. The financial center of the world rises in the background while the foreground reminds us of death.

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A Spring Update on the New York City Subway Stories Project

My Latest Book
In between teaching, being a philosophy graduate student, and making ends meet, I've been spending lots and lots of time writing about the New York City Subway. If you don't know about my project, read about it here - where I collected all of my writings into one book about riding the subway, living in the city, and how it feels like to be a New Orleanian wherever I am.

Why I Write
I write like a flanêur. What this means is I write as if I am collecting stories. What this means is that my entries on the subway are impressionistic rather than expository pieces. I am allowing the stations that make up the subway system to be points of creative entry for me. I try to draw philosophical and creative energy from the stations, the neighborhood surrounding the station, the people, and my own neurotic life to portray a pastiche for each entry.

I have no idea what the final product will look like or whether or not it will it have a completeness to it.

The coolest thing will be that I will have written my way through the system. It's my motivation.

But, I'm going at a snail's pace.

I think the reason for this is that I first thought the project would be simpler. But as I go from station to station the immensity of the system makes my project seem more immense. I feel like I am trying to pull a particularity out of a vastness that cannot be particularized.

I Write Non-Fiction Fiction (because it's all I know)
So, I make stuff up. Some of the stuff I write about is real while other are condensed (like in a dream) and other stuff is literally the way it happened.

The thesis of the subway project is as follows: by writing about individual stations and individual stories I will end up having a literary representation of a subway system that has only been thought of in terms of anything but Benjamin's flanêur.

I hope you enjoy this collecting project.

Peace,
Greig

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Book Review - Pursuits of Happiness: A Short Response

Stanley Cavell in his book Pursuits of Happiness writes about remarriage comedies in movies made after the advent of talkies (1934-1949). Cavell's list is as follows: The Lady Eve (1941), It Happened One Night (1934), Bringing Up Baby (1938), The Philadelphia Story (1940), His Girl Friday (1940), Adam’s Rib (1949), and The Awful Truth (1937).

Movie Review: "Desert of Forbidden Art" (2010)

At Cinema Village in Manhattan, 
Desert of Forbidden Art (2010) 
is screening: 
      The documentary, filmed on location in Karapalpakistan (in Uzbekistan) a formerly held area of the Soviet Union, unveils the mystery behind why in Nukus, an otherwise barren town in the desert, is home to thousands of pieces of Soviet Avant-Garde art. 
The answer lies in the life of artist Igor Savitsky. 
      Igor Savitsky was born from aristocratic Bolshevik roots; he became a worker to convince the new Soviet government that he had shed his aristocratic past. Desirous of the artist's life, he got a job drawing desert landscapes. He tried to become an artist but failed. Dispirited he moved to the desert city of Nukus. Unable to make it as an artist, Savitsky conjures up an idea to start a museum in the desert of Karapalpakistan to save revolutionary art from the censoring eyes of Soviet control. Artists who escape the gulag, or who come out of the gulag scarred, sought refuge in the desert to continue their work in secret. 
Savitsky Created a Secret Museum of Art in the Desert
      Savitsky is the collector who saves their pieces in his museum. Using state money, fooling officials about the content of the art, Savitsky was able to save pieces of art that spoke of the torture of the gulags and a pointing finger at the state-approved art that depicted the Soviet regime as growing and prosperous. The film is visually stunning. The filmmakers carefully construct the story about one man's fight against fascism but the film is also a document of the works themselves. The best part was the art itself, stunningly recaptured on film, the colors used by the artists is far from daubery. When I saw the film last weekend the film makes were there to speak about the movie. They spoke about the remote village of Nukus. It seems Uzbekistan does not care about the preservation of its Avant-Garde art. 
The Future of the Museum's Avant-Garde Art Collection
      The museum does not want to sell its collection, nor does the state government seem interested in persevering the art. In fact, as of this writing, the pieces are not displayed and seem to be destined for the trash heap if people do not stand up against the annihilation of art that Stavistky fought so hard to prevent. The documentary is timely because it speaks about a past censorship but seems to also be a call to action that art matters. 

Check out the trailer:
Desert of Forbidden Art

Directors: 

Tchavdar Georgiev, Amanda Pope

Writers: 

Amanda Pope, Tchavdar Georgiev

Stars:

 Edward Asner, Sally Field, and Ben Kingsley

More info from imdb.com

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