19.2.11

The Awful Truth: Cary Grant and Irene Dunne

In this post, I write about Carey Grant and Irene Dunne's performance in the movie The Awful Truth.
With "the holiday in his eye," Stanley Cavell quotes Emerson on Carey Grant's performance in The Awful Truth: "he is fit to stand the gaze of millions."
Carey Grant in the Hollywood
film "The Awful Truth"
A high class married couple (Cary Grant and Irene Dunne) break up after a dispute on marital fidelity. After each tries their luck with a different lover the two come to terms with the "awful truth."

The comedy carries the basic plot structure of the romantic comedy. Boy meets Girl. Breakup. Hijinks. Come back together. Transformed. The End. But in certain movies from the 1930s, just after the advent of talkies, several films made during or just after the Great Depression dealt with a slight twist on the romantic comedy: the remarriage plot. The difference is both stars are already married and through a break-up and coming back together (after they realize they're "just the same, but different") both boy and girl learn to grow up together, as Cavell has pointed out in his deft review of 1930s comedies of remarriage, Pursuits of Happiness: The Hollywood Comedy of Remarriage.

The Awful Truth (1937) Directed by Leo McCarey. Written by Viña DelmarArthur RichmanStarring Cary Grant, Irene Dunne,  Ralph Bellamy, Cecil Cunnigham, Esther Dale.

18.2.11

Preparing for My Graduate Schools Oral Exams: On Phronesis

I am writing this right now because I need the motivation to care about the practical:
Aristotle brushed his teeth and had time to think?! #mindblown
On Thursday mornings for the past month, I have been meeting with a fellow graduate student to study for the Philosophy department's oral exam. She is preparing for Aristotle. Although Ancient Philosophy is not my specific area, I find myself going back to the Ancients. My study buddy was explicating Aristotle on phronesis which is found in these two works: the Ethics and the Politics. Aristotle develops this cool idea about wisdom which I think makes sense. We tend to think of wisdom as something disconnected from practical everyday life. Or, we tend to think the attainment of wisdom has nothing to do with practical matters. The wise man just is wise. Right? Wisdom appears to be totally inactive and geared towards contemplation. Nothing to do with everyday stuff like brushing your teeth and getting rid of head lice. Aristotle has this groovy notion that if a person really wants wisdom what he first needs to do is get his practical affairs in order. To achieve the leisure time to reflect one has to do the boring, tedious stuff first. Scheduling, being to work on time, replying to email, making money, and all the stuff we associate with the humdrum must be accomplished, or at least those things ought to be managed well by us if we ever want time to reflect on the good stuff.

13.2.11

Photograph: I Love NYC

Fast cars and adorable group shots — I love 'em all.
Fast Cars, Manhattan, "I Love NYC"
Walking on busy Manhattan streets, especially streets lower than Fourteenth Street, it is easy to spot classy, fast cars. I have no idea the make and model of the one above, but I love this meta-moment of capturing other people being captured in front of a car. And I love love love the boy wearing the iconic I heart ❤️ NYC tee.
image credit: Greig Roselli

12.2.11

Travellin' Thru

Travellin' Thru (Dolly Parton)
Well I can't tell you where I'm going, I'm not sure of where I've been
But I know I must keep travelin' till my road comes to an end
I'm out here on my journey, trying to make the most of it
I'm a puzzle, I must figure out where all my pieces fit

Like a poor wayfaring stranger that they speak about in song
I'm just a weary pilgrim trying to find what feels like home
Where that is no one can tell me, am I doomed to ever roam
I'm just travelin', travelin', travelin', I'm just travelin' on

Questions I have many, answers but a few
But we're here to learn, the spirit burns, to know the greater truth
We've all been crucified and they nailed Jesus to the tree
And when I'm born again, you're gonna see a change in me

God made me for a reason and nothing is in vain
Redemption comes in many shapes with many kinds of pain
Oh sweet Jesus if you're listening, keep me ever close to you
As I'm stumblin', tumblin', wonderin', as I'm travelin' thru

I'm just travelin', travelin', travelin', I'm just travelin' thru
I'm just travelin', travelin', travelin', I'm just travelin' thru

Oh sometimes the road is rugged, and it's hard to travel on
But holdin' to each other, we don't have to walk alone
When everything is broken, we can mend it if we try
We can make a world of difference, if we want to we can fly

Goodbye little children, goodnight you handsome men
Farewell to all you ladies and to all who knew me when
And I hope I'll see you down the road, you meant more than I knew
As I was travelin', travelin', travelin', travelin', travelin' thru

I'm just travelin', travelin', travelin', I'm just travelin'
Drifting like a floating boat and roaming like the wind
Oh give me some direction lord, let me lean on you
As I'm travelin', travelin', travelin', thru

I'm just travelin', travelin', travelin', I'm just travelin' thru
I'm just travelin', travelin', travelin', I'm just travelin' thru

Like the poor wayfaring stranger that they speak about in song
I'm just a weary pilgrim trying to find my own way home
Oh sweet Jesus if you're out there, keep me ever close to you
As I'm travelin', travelin', travelin', as I'm travelin' thru


Source: Stanley, Ralph, and Duncan Tucker. Transamerica: Original Motion Picture Soundtrack. S.l.: Nettwerk Productions, 2006. Sound recording.

11.2.11

Washington Square Park

A large crowd gathers in Washington Square Park.
Washington Square Park, New York City, 2010
Washington Square Park is like a postage stamp of New York City. It is opened up by a grand arch that honors George Washington. Fifth Avenue rams into the park at once — and then voilà, you're in what New Yorkers call Greenwich Village. Nineteenth-Century row houses line the Fifth Avenue side, while New York University's campus buildings line the opposite side. As a graduate student at the New School for Social Research, I spent many hours in Bobst Library — the largest building to border the square. The square itself is filled with life — chess players, performers, the homeless, and groups proclaiming a cause. Sometimes I imagine what it would be like if a subway line ran underground through the park and you could alight on a train from the fountain. And I do love the fountain. In the Summertime, you can step inside it, feel refreshed, take your shoes off and watch the zest of bodies, of allegria, of life.

10.2.11

Aesthetic Thursdays: Dionysos Holds a Theater Mask

Terra-Cotta Mixing Bowl, Dionysos and Young Pan, 410-390 B.C., Metropolitan Museum of Art
The mixing bowl depicted above was probably made in Greek occupied southern Italy in the 5th century B.C. The bowl was used to mix wine for the celebration of the feast of Dionysos, the god of the theater. Dionysos stands opposite a young Pan who pours water into a mixing bowl. 

Dionysos holds a mask. Masks were used by actors on stage to personate the roles they played. In this piece, Dionysos appears to hold a mask of himself. The mask he holds is identical to the artistic representation of his face. Dionysos wears the person of the character he personates. His mask is his person. To personate means to wear the person of someone. Person derives from the Greek word for "mask." To personate is to wear a mask. Personation is the act of personating. In an obsolete usage, a personation is also the mask itself. So we could say that Dionysos holds his own personation.

8.2.11

Stanley Cavell on the Aesthetic Autonomy of the Photographic Image


"Photography overcame subjectivity in a way undreamed of by painting, a way that could not satisfy painting, one which does not so much defeat the act of painting as escape it altogether: by automatism, by removing the human agent from the task of reproduction."
Stanley Cavell, The World Viewed

Source: Cavell, Stanley. The World Viewed : Reflections on the Ontology of Film. New York: Viking Press, 1971. Print.