Dogs diligently wait as dogs are wont to do.
Stones of Erasmus — Just plain good writing, teaching, thinking, doing, making, being, dreaming, seeing, feeling, building, creating, reading
5.1.11
Photograph: Dogs of the Upper East Side
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
4.1.11
English Teacher at the Yeshiva
Inside an empty hallway in the Satmar Hasidic Yeshiva School |
Most of the boys I teach love to learn. They dive into the strangeness of English. The silent "k" of "know" and the funny -ed ending of past tense verbs. Why "spoke" and not speaked? Questions abound from them about curiosities in language. English words are like rare finds. "It's a pity," I said today, "few boys don't want to learn." One astute and perennially smiling child asked, "Teacher, what means 'pity'?" I say, "It means, 'It makes me sad.'" "I say you something, yeah?" I don't hear what he says because I'm distracted.
The Classroom Is Full of Non-Stop Chattering Boys
The classroom is loud. The boys are supposed to be doing a Spelling review. Spur, snap, rub, scrub, run, etc. Joel, Shlomo, and Shlomo are out of sync with the lesson. I motion towards the trio of boys who are huddled around a drawing of an oversized rebbe and a picture of a horse.
No spelling words in sight. "Get out of my classroom if you don't want to learn," I say. This is not a first warning. Earlier Shlomo had eaten into the husk of a pen splattering ink over his face and onto another boy's pants. This is not the first time these three have completely ignored the lesson. I'm not adverse to drawing. But it is insolent to not even have at least one spelling book.
The rebbe comes into the classroom. "Boys no discipline?" I say only a few boys, pointing to the three huddled together. He takes the three boys outside.
Teaching English To Yiddish Speaking Satmar Hasidic Children Is Not Easy
This is life in the Yeshiva. I try to teach English to children who barely speak the language or seemingly have an interest in it. If you walk the streets of Brooklyn in certain areas one only needs to know Yiddish (or Jewish, as they call it).
I love the chaos, though. Sometimes the school day is electrifying. Hundreds of kids rush by me on a late weekday afternoon. In class, we talk about the Amazon Rain Forest, or exponents, the normal fare of American elementary schools.
But, it's different though when I'm the minority. It's not that the students are vile or mean spirited or even apathetic. There is a huge throb of energy in my students I find contagious. But, this energy is directed toward Jewish studies. "We boys are Talmud," one boy with sharp blue eyes and round glasses says.
The task is to get that energy focused on English. One father tells me, "I'm not so good with the Math either." And his son tells me, "I not love English." So what am I supposed to do?
I embrace the chaos. I go with the flow.
Today I became frustrated. The three malcontents who seem to be completely furious I turned them in return. The Rebbe tells me in front of the boys, "You good teacher. But too good. No discipline. Boys take advantage of you." I listen to his wisdom. All the boys grow quiet when he speaks. Any boy who not learn send them to me. If you teach and they not listen send them to me. But, you are the teacher Whose fault is it that boys not learn?" I say, "mine," feeling just as chastened as the punished boys. "Right," he says. "You must have the discipline," he says and leaves.
The three promptly do the work. For a time. I walk around the classroom. All the boys are seated in benches like they do in the old schoolhouse style. I answer questions about "slept" and "overslept."
I've been with these boys seven months now. I know them well. I know who loves English and who doesn't. I envy their love of the Torah. It's so unbridled and passionate. I envy the rebbes who command attention. They stand like gods. If only the boys would listen to me like that, I think.
Seeing Hasidic Judaism Through a Child's Eyes
"Teacher, I say you something, yeah?"
Ok. I say.
"All boys learn English, no? Why you not learn Jewish, yeah?"
Tomorrow will be no different. And the next day. Boys will learn a few words. Some boys will simply do nothing. Others will talk loudly and incessantly. I'll manage to conjugate "to be" or tell a story about a boy who rides in an ambulance in the snow. Lately, I've noticed stories grab their attention. And it's in English. A plus! More on storytelling later. For today it's about the discipline.
It's a normal day at the Yeshiva.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
3.1.11
True Story: The Death of a MacBook Pro
The specs: 17" 2008 Aluminum MacBook Pro; 2.5 GHz; 4 GB RAM; 200 GB hard drive. But, that's only the hardware. The truth is ...
I loved my Mac as much as a human being can possibly love a machine. My friend Bonnie says people are growing up with attachments, not with people, or pets, but with machines. She says this is the cause of the proliferation of Autism.
Maybe she's right. We're more fond of our binary buddies then we are of our flesh and blood compadres.
I know it's not "right" to have loved a machine. To use the word "love" is sacrilegious when what I really mean is what Aristotle meant by storge. A kind of love that is built on use and use alone. I love my Mac cause I used my Mac.
What I miss is not the machine itself but the use of the machine which fired my loins and made me whisper, "Mac ... Mac ... Light of my life ... Fire of my loins."
(Mac is not my Lolita. I just couldn't help but use a Nabokov reference.)
The practical loss is I'm bereft of a machine.
The iPhone is my primary computer now.
The good news is I'm backed up on Carbonite. If you don't know, it's a nifty online storage solution that backs up your files in the background to the Cloud.
I'm thinking my next Lolita will be a Mac Mini. I'm fond of its portability. I thought maybe I would go bold with the iPad but I'm still not rogue enough to give up the traditional computer. Besides, I don't think the first-generation iPad is capable of replacing a computer 100%.
What I miss most about my Mac in its absence:
1. My cute Finder boyfriend.
2. iWork: and how the only library computer lab with Mac's exclusive productivity suite is Bobst.
3. Movies: But, hey I'm reading
more. Last night I finished Lyotard's Lessons on the Analytic of the Sublime.
4. BitTorrent (Using Transmission). On an iPhone, I can't download an entire Season of Dobey Gillis.
5. Google Docs. I can't edit Docs on a smartphone. :-(
Maybe she's right. We're more fond of our binary buddies then we are of our flesh and blood compadres.
I know it's not "right" to have loved a machine. To use the word "love" is sacrilegious when what I really mean is what Aristotle meant by storge. A kind of love that is built on use and use alone. I love my Mac cause I used my Mac.
What I miss is not the machine itself but the use of the machine which fired my loins and made me whisper, "Mac ... Mac ... Light of my life ... Fire of my loins."
(Mac is not my Lolita. I just couldn't help but use a Nabokov reference.)
The practical loss is I'm bereft of a machine.
The iPhone is my primary computer now.
The good news is I'm backed up on Carbonite. If you don't know, it's a nifty online storage solution that backs up your files in the background to the Cloud.
I'm thinking my next Lolita will be a Mac Mini. I'm fond of its portability. I thought maybe I would go bold with the iPad but I'm still not rogue enough to give up the traditional computer. Besides, I don't think the first-generation iPad is capable of replacing a computer 100%.
What I miss most about my Mac in its absence:
1. My cute Finder boyfriend.
3. Movies: But, hey I'm reading
more. Last night I finished Lyotard's Lessons on the Analytic of the Sublime.
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
2.1.11
Walking to Work on a Sunday
How I walked to work on a Sunday (thinking it was Monday) and what this says about my current state of being . . . |
Labels:
bridge,
brooklyn,
foibles,
Journal & Rants,
williamsburg,
work
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
1.1.11
A New Year from the Perspective of a NYC Blizzard
Snow piled in a heap in front of the Century 21 store entrance on Broadway and Cortlandt Street, Lower Manhattan, Financial District:
I write the first entry of the new year from the point of view of a blizzard's detritus.
Stones of Erasmus is a blog ostensibly devoted to good writing, in whichever modality that can be articulated.
My primary focus is to reach folks who enjoy good writing, no matter your class or by how many bad pieces of art you have hanging in your house, or the number of pulp fiction titles that adorn your bookshelf.
People say fine art and quality literature are in their final death throes. I'm not sure if that is an accurate assessment or not.
I do know that we can only focus on the particular in art or in a narrative to seize in an aesthetic object something autonomous and not subsumed by overarching dumbness.
I credit Kant's aesthetic theory in opening my eyes to the muscle inherent in art and not merely art as sensation, which is how it's too often presented in the manifold of visual pleasure found replete in kitsch media, shallow status updates, Tumblr, what have you.
Please, fellow readers, continue to read Stones of Erasmus, offer comments. I want 2011 to be another successful year for this blog.
Hey, maybe I'll post more than 300 posts.
Peace, love, and tomatoes.
I write the first entry of the new year from the point of view of a blizzard's detritus.
Stones of Erasmus is a blog ostensibly devoted to good writing, in whichever modality that can be articulated.
My primary focus is to reach folks who enjoy good writing, no matter your class or by how many bad pieces of art you have hanging in your house, or the number of pulp fiction titles that adorn your bookshelf.
People say fine art and quality literature are in their final death throes. I'm not sure if that is an accurate assessment or not.
I do know that we can only focus on the particular in art or in a narrative to seize in an aesthetic object something autonomous and not subsumed by overarching dumbness.
I credit Kant's aesthetic theory in opening my eyes to the muscle inherent in art and not merely art as sensation, which is how it's too often presented in the manifold of visual pleasure found replete in kitsch media, shallow status updates, Tumblr, what have you.
Please, fellow readers, continue to read Stones of Erasmus, offer comments. I want 2011 to be another successful year for this blog.
Hey, maybe I'll post more than 300 posts.
Peace, love, and tomatoes.
Labels:
aesthetics,
Art & Music,
literature,
new york,
snow
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
30.12.10
Aesthetic Thursdays: Two Versions of Judith Slaying Holofernes
Judith Slaying Holofernes
Judith is a hero of late Jewish antiquity who slew the Assyrian dictator Holofernes, by first seducing him, then decapitating him while he slept. Check out these two very different artistic representations. What do you notice?
Judith is a hero of late Jewish antiquity who slew the Assyrian dictator Holofernes, by first seducing him, then decapitating him while he slept. Check out these two very different artistic representations. What do you notice?
⬆️ Artemisia's version in the Uffizi Gallery in Florence, Italy
⬆️ Caravaggio's version in the Galleria Nazionale d'Arte Antica, Rome
Labels:
aesthetics,
art gallery,
caravaggio,
literature,
painters,
portraits,
thursday,
uffizi
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
26.12.10
Derrida's Definition of Western Philosophy
Derrida writes in "La Différance," in Margins of Philosophy, "For the middle voice, a certain nontransitivity, may be what philosophy, at its outset, distributed into an active and a passive voice, thereby constituting itself by means of this repression" (9).
Labels:
deconstruction,
derrida,
différance,
freud,
grammar,
logocentrism,
philosophy,
psychoanalysis,
repression
I am an educator and a writer. I was born in Louisiana and I now live in the Big Apple. My heart beats to the rhythm of "Ain't No Place to Pee on Mardi Gras Day". My style is of the hot sauce variety. I love philosophy sprinkles and a hot cup of café au lait.
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