30.12.10

Aesthetic Thursdays: Two Versions of Judith Slaying Holofernes

Judith Slaying Holofernes
Judith is a hero of late Jewish antiquity who slew the Assyrian dictator Holofernes, by first seducing him, then decapitating him while he slept. Check out these two very different artistic representations. What do you notice?

⬆️ Artemisia's version in the Uffizi Gallery in Florence, Italy

⬆️ Caravaggio's version in the Galleria Nazionale d'Arte Antica, Rome

26.12.10

Derrida's Definition of Western Philosophy


Derrida writes in "La Différance," in Margins of Philosophy, "For the middle voice, a certain nontransitivity, may be what philosophy, at its outset, distributed into an active and a passive voice, thereby constituting itself by means of this repression" (9).

25.12.10

Christmas Post: If Jesus were Albrecht Dürer

Self-Portrait of Albrecht Dürer
The twenty-fifth day of December is an odd time to commemorate an incarnation of a God? I agree with T.S. Eliot, though, "satisfactory." (the best use of that word in a poem is reprinted below).

Jesus, a rabbi from the first century (a century named after him, so to speak, in the year of our Lord) was born in Palestine, in the Northern Hemisphere, correct? So, he came into the world at the eclipse of the sun’s strength. The Winter Solstice (which by the way, this year was also marked by another eclipse, a lunar one). If he had born in Australia, however, he could have at least eschewed swaddling clothes. And there would have been more reason for sheep(or kangaroo) to be lowing.

How do the Australians celebrate seasonal Christian feasts? I suspect their Christmas's are void of hot chocolate and burning fires. More like surfing and tan lines to fête the baby Jesus.
And their Easter has to be a mess? But, that’s another story. Just suffice it to say, it’s a difficult stretch to celebrate new birth when everything around is falling into winter.

24.12.10

Aesthetic Thursdays: Medusa

If the canvas is Perseus's shield, then this is Medusa's last stare.
Caravaggio, Medusa, 1597, Oil on canvas mounted on wood
Perseus, a son of Zeus, an epic hero of Greek myth, was locked in a chest as a boy by his grandfather with his mother inside and thrown to sea, because an oracle foretold he would kill the king Of Argos; he was saved by a fisherman and raised to manhood. His most famous deed: he sought to behead the Gorgon Medusa, partly from a wager with Polydectes the King of Seriphos, his mother's husband, and partly out of despair, for he knew Polydectes wanted to get rid of him. Perseus traveled to the edge of the world to find the Gorgon, one of three Gorgons, who were sisters, Medusa was the only one mortal. The Graeae, nymph sisters, helped him, as well as several gods and goddesses. To kill the Gorgon, Perseus had to avoid eye contact with her lest he turn to stone by looking her directly in the eye. So armed with a shield, bequeathed to him by Athena, and a scimitar, from Hermes, and a cape of invisibility, and winged sandals, he was able to peer on the Gorgon indiscreetly in her lair without looking at her directly, and slew her with his blade. When Perseus slew the Gorgon she was pregnant, and out of her belly flew Pegasus, the winged horse.
NB: If you want to check out the real shield, haunt the Uffizi gallery in Florence, Italy.
image credit: New Crafts, Co.

18.12.10

The American College of Louvain To Close Spring 2011

A letter addressed to me when I was a resident at the American College of Louvain
The American College in Leuven, Belgium closes its doors.
I learned the other day that my alma mater, the American College of Louvain, where I lived when I studied philosophy at the Catholic University of Leuven, is shutting its doors for good at the end of the Spring 2011 semester.

On Wonder

 An essay by Greig Roselli reprinted from Canon Magazine

In the Theatetus Plato writes, “philosophy begins in wonder” (155d). The Greek is θαῦμα which translates as “puzzle,” “problem,” or simply, a “marvel”. The definition suggests to wonder is “to solve a conundrum.” In this sense, θαῦμα carries with it an active puzzle-solving. Wonder is open to activity but is also somehow passive in its reflection. I say this because to wonder means both to reflect, to bring a thought into motion, and also, the active thinking of the thought, which we call roughly, the idea. The quip, then, “Philosophy begins in wonder,” seems to suggest a something that originates in a person who wonders, like the birth of an idea, and rises to the surface  call it consciousness, and it is there, an eureka moment, “ah ha!” I got it! Archimedes sat in his tub, noticed that the water level rose equal to the volume of his own body. Before Archimedes’s discovery, an object’s displacement of water was a mystery, something to be puzzled out. Is wonder then what allows us to rise above Baudelaire’s animal who is stupid in his sleep? Wonder, then, is the origin of an eureka moment. Isn’t this what we do when we attempt to puzzle out questions of being?
Archimedes in the bathtub, "Eureka!" image credit:strongnet

16.12.10

Aesthetic Thursdays: Caravaggio

Caravaggio's "Sacrifice of Isaac" is remarkable because it uncharacteristically depicts Isaac not as subordinate to Abraham's desire, nor blithely unaware of his fate, but rather as horrifically terrified by God's injunction to have him killed by his own father.
Caravaggio, Sacrifice of Isaac, 1603
Caravaggio, Sacrifice of Isaac (Detail) 1603