Stones of Erasmus Television Review — Doctor Who: Flux, "Village of the Angels"

In this post, I write about the fourth episode of Doctor Who: Flux, "Village of the Angels," that aired on BBC America tonight.

Reverse the polarity of the neutron flow!

I suppose you are a fan of the Doctor? Right? The Doctor is amazing! One of the best shows in the history of television! In any case, you might have noticed that when the Doctor is in a pickle — such as in tonight's episode, "Village of the Angels," — they can get out of anything. Shouts a few lines about reversing the energy of something or other —  as the following fantastic supercut from DoctorGeek illustrates:

How do you sum up the British Sci-Fi television series Doctor Who in a few sentences? 

The Doctor is a Time-Traveling Alien

The Doctor is an alien time-traveler who travels in a broken time machine that has been begrudgingly stuck in the shape of a British police box. The Doctor almost always has an earthling companion, and he (or she) has a penchant for the human beings of planet earth. The show is at its heart a story about saving the heart of humanity — seen through the perspective of someone who is not us — but who is madly in love with us, silly, stupid, harmful humans. In tonight's episode, part four of a Dr. Who mini-series entitled The Flux, the Doctor meets a devastating bind; by saving the life of a human, she falls into a trap. And viewers were left on the edge of their seats with quite a crazy twist.

Jodi Whitaker's Doctor Finds out More About Her Past — At a Cost

The Doctor is about to find out more about her past — more about the past that even pre-dates the narrative history of the show itself, the past the Doctor lived before they were our Doctor! The show has toyed with this idea for a dozen episodes so far, with the big reveal in Season Thirteen that the Doctor is not indigenous to the race of the Time Lord — the race they thought they were — but a "Timeless Child," whose regeneration properties the Time Lords retrofitted to their own purposes. 

And much of the Doctor's deep past on Gallifrey was wiped out from their mind — and what we know of the Doctor, as television viewers might be just a glimpse of a cosmic history of a character who already seems larger than life — so I have to say I am excited for the next two episodes of the show.

Can the Doctor Escape the Weeping Angels and the Division?

Will The Doctor be able to get out of this pickle? How will her friends get out of their pickle? Last season ended with the Doctor imprisoned by the Judoon and Jack Harkness came to the rescue — but I am not so sure the Doctor is going to escape Weeping Angels so easily. And then there is the Division. Who are they? And how much will they reveal about the Doctor's past? 

Are you a fan? 

Let me know your thoughts on tonight's episode in the comments.

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Quote on Beauty and Difference from the Classic Series of Dr. Who — "The Genesis of the Daleks" (1975)

"Why must we always destroy beauty? Why kill another creature because it is not in our image?" I keep the classic series of Dr. Who on replay at my house. I want to catch up on episodes I have missed — and I particularly like the Tom Baker episodes. He's the fourth incarnation of the Doctor, and he portrayed the character from 1974 to 1981 (the longest-running tenure of the role in the show's history).

The Genesis of the Daleks:     In the Terrance Dicks written chapter entitled "The Genesis of the Daleks," — the Doctor is sent back in time and space to the Dalek planet Skaro to prevent war between humans and the Dalek race from occurring in the future. The episode is an origin story of the Daleks —  a race of boxy, dangerous aliens. The Daleks have proved to be the doctor's most fearsome, persistent nemesis. With their vibrating cry of "Exterminate!" it is not a hard extrapolation that the Daleks are meant to represent the extreme version of what happens when a species goes all-out bonkers with racial superiority and hatred of difference. The Daleks annihilate difference and vouchsafe sameness in the universe. There is a twist in this episode, however, since the Doctor learns that the Daleks are the creation of a figure named Davros — a humanoid with a Dalek-shaped lower body. The Daleks are the master idea of a diabolical mastermind. Are you getting a Hitler-tingle? Well. You should.

Are Humans More Destructive or Creative as a Species?     
As per the course of a Dr. Who narrative — there is a lot of meaningful talk about what difference (and how humans deal with that which is different) means for the future of humanity. Are we more like the Daleks — whose prime directive is to kill all lifeforms, not like their own? The writers of the show make obvious nods to humanity's own track record for acting like Daleks — think of violence enacted in the name of racial superiority or the banal way in which humans become exterminators under certain conditions — think of the gas chambers that annihilated Jews, homosexuals, people of color, and other so-called dissidents — or the way guards at Guantanamo Bay tortured and debased human beings under their supervision. 

A Trenchant, Relevant Quote    
One scene in particular is a miniature of the grand themes Terrance Dicks is hashing out in the show. In a brief episode of capture, Sarah Jane Smith, one of the Doctor's classic companions, is considered for extermination. But a voice cries out. And asks a question: Why destroy beauty? Why destroy another creature because it does fit into one's own image?

(Sarah is out cold as a muto strokes her face.)SEVRIN: She's beautiful. No deformities, no imperfections.GERRILL: She is a norm. All norms are our enemies. Kill her now for what she's done to our kind.SEVRIN: No, why? Why must we always destroy beauty? Why kill another creature because it is not in our image?GERRILL: Kill her! It is the law. All norms must die. They are our enemies. And if you won't, I will.

Dr. Who "Genesis of the Daleks" Original Airdate on BBC television: March 8, 1975 / image from the BBC 

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Video Repost: Nick At Nite Those TV Classics!

This is a clip from a Nick at Nite promo: "Those TV Classics!" 

I think lots of people from my generation will remember this advertisement.

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Video Repost: United States of Tara Theme Song

Do you know the opening theme song to the Showtimes series The United States of Tara? It took me awhile to figure it out.

I like the opening song to the Showtime TV series The United States of Tara. But it took me a while, figuring out the lyrics, to realize the vocalist was singing, "ride." For a moment there I thought he was crooning, "rye," and I was like, 'is there a connection to Catcher?'

Showtime Television Series Created by Diablo Cody

Lyrics from the Opening Theme to United States of Tara:
Open up the sky this mess is getting high
It’s windy and our family needs a ride
I know we’ll be just fine when we learn to love the ride
I know we’ll be fine when we learn to love the ride
I know we’ll be just fine when we learn to love the ride

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Poetry: "For Tammy"

        with a sock puppet, dear, she carved out a few queers
        to love her —
            the most kind of women,
            to love us deviants

        she wiped away our tears with her touché kleenex —
           
            on television everyone is a performance
            the difference being only in the self-awareness

        appendix:
        this hero of a guy chris cries on a streaming video
        that the media needs to leave Chutney Shears alone! —
        or you’re going to have to deal with me —
        she’s not well right now —
       
            and we rouse up our spirits with equal fags
        who stand up for the underdogs, yup

        even pee-wee fucking herman,
        a champion of gay rights —
       
            his onanism in a girly porno theatre
    warmed the cockles of our leftist fag hearts

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