National Coming Out Day is October 11th: Here's is How One Teacher in Queens Talks About Coming Out as Both a Personal Journey and in Their Role as a Teacher

For National Coming Out Day, Tuesday, October 11, 2022, the LGBT Network sent me a box of pride rainbow and trans ribbons to distribute to students in my school to support "coming out" against violence, discrimination, and abuse against members of our community. Here's more tea: 

Coming out as a Teacher

I came out as a teacher in 2017. I remember the moment — it was on a school trip to Nantucket. On a whim, a group of kids, a few other teachers, and I went to an author talk: the novelist Benjamin Alire Sáenz, who wrote Aristotle and Dante Discover the Secrets of the Universe, was speaking at the Nantucket theater. Mr. Sáenz spoke about writing young adult fiction, a term, he said, didn't apply to him, but apparently, young adults find his novels appealing. I asked a question about coming out, and I said, "As a gay kid growing up, we did not have representation of gay, lesbian, or trans youth, and I told him how grateful I was for this generation that is changing.

Since then, I have been out as a teacher. I have helped start a GSA club at my school, and I included Sáenz's book in the English Langauge Arts curriculum for our teachers. I even created an elective course, "History Comes Out," where we explored biographies of queer figures in history and pop culture. 

Not that I was in the closet, necessarily, before that time, in Nantucket, but I feel like I kept my sexuality to myself and did not talk about it in the classroom, sticking mainly to the role of "single, guy, teacher vibes." I was out to my close circle of co-workers and family, but I bifurcated who I was from my role as a teacher.

Now, the fact that I am a gay male in New York City is not a huge deal. We are legion. But, the number one reason I am vocal about my sexual orientation and gender expression is that I want to normalize the experience for kids who might need or want a different kind of adult. I feel like, sometimes, I have to conform to some heteronormative script that I have concocted in my head. And it has taken a while; I am still learning that I can just be myself.

Growing Up Gay

I grew up as a gay boy in South Louisiana in the 1990s. It was like going to a crawfish boil and telling everyone you don’t eat seafood. They’d look at you like you just grew two heads. 

Now — as an adult — I’m out and proud. So shut your face if you don’t like it. Just kidding! Kinda.

National Coming Out Day

Today is National Coming Out Day. Thank you, @lgbtnetwork and @nycschools, for supporting my school @gardenschoolnyc and @gardenstudents with LGBTQ+ ribbons. The kids who participated love love loved it. 

Here are details from the day: 

A twelve-year-old girl came to me with a drawing she had made on her art 🖼️ app of me as a woman. She was so proud to show me. It made me appreciate my feminine side. A boy talked to me about transphobia and discussed strategies to combat it. And @bats4k gave a heartfelt speech at our school's weekly morning meeting. At dismissal, one of my students was sure to say, “I wore my ribbon all day!”

I am one proud teacher, gay man, gender-affirming, inclusivity-loving individual. Sprinkles!

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#gaypride #gayteachersofinstagram #gay #schools #nationalcomingoutday #queer #trans #kids #lgbtqia

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Movie Review: Some Like It Queer

Some Like It Hot — Directed by Billy Wilder — Starring Marilyn Monroe, Tony Curtis, Jack Lemmon, and Joe E. Brown

    Some Like It Hot (1959) directed by Billy Wilder cleverly uses musical language to code for queer behavior. I will admit I had queer on my mind when Taryn called me and said, “Hey, Greig, they’re playing Some Like It Hot at the Prytania Theater.” I said to her, “I cannot wait for a gender-bender adventure!” The theater is a one-screen cinema that plays blockbusters at night and classics in the daytime. The house’s proprietor, Mr. Rene Brunet, a sweet, intelligent geriatric, bemused us with some benign trivia about the film. When he talked about Marilyn Monroe I wanted to quote Roger Ebert, who said of the star: she’s "Poured into a dress that offers her breasts like jolly treats for needy boys.”

    But, after Mr. Brunet gave his spiel he motioned the camera guy — “Hey, Robert get those melodies rolling!” — and played “Let’s All Go to the Lobby” before the show started. Seated in a nearly full house, as if we were back in 1959, Bugs Bunny gave his last grin and the feature began.

    The black and white film is covert homosexuality created under a suspicious McCarthy era period posing as a comedy of errors murder mob mystery — the cross-dressing so seamlessly dropped into the plot as to seem virtually harmless even to the most suburban, collected type. Seeing the film fifty years after it was made, it is easy to see the sex beneath the subtext. Almost every line is a double entendre if you can catch it quick enough. Daphne (Jack Lemon) proposes a cross-dressing scheme to Josephine (Cary Grant) to get them out of debt in circa 1920s Chicago. 

    The rest of the movie is all out drag. Let me just say this about the film: Daphne is queerer than Josephine. If you know the film you know what I mean. If you don’t know the film, then you are in for a treat and I won’t spoil the uproarious ending. Josephine resists until both are found by the mob as witnesses to a murder. Donning a wig and a dress, Josephine and Daphne take a train to Florida to join "Sweet Sue's Society Syncopaters."

    Ostensibly a pair of straight guys has to save their asses dressing up as women, retaining their straight status only by the extension of voluptuous Marilyn Monroe. Without her Daphne is a drag queen in love with a millionaire played expertly by Joe E. Brown and Josephine is a dominatrix queen with a penchant for saxophones.

    It is here we hear the film’s title, “some like it hot,” when Jack Lemon’s character refers to the women’s syncopated rhythm as “hot.” I cannot help but think the word hidden beneath the word is “queer.” Plain Jane straight people probably prefer un-syncopated tunes, but we queers like our beats syncopated! Some guys and girls like it different than other guys and girls: they like it hot, suggesting breaking musical boundaries is akin to crossing over into sexual taboos. 

    Geraldine warns Daphne not to sleep with Sugar, but in the end, it is Josephine wooing Sugar and Daphne running with the girls on the beach enjoying his womanhood. Cary Grant, with angular lines and a pair of succulent lips, is a more beautiful woman than Jack Lemmon’s less than beautiful ogee and awkward broad shoulders Marilyn Monroe seems to admire!

Some Like It Hot is an example of queering straight.

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Poetry: "For Tammy"

        with a sock puppet, dear, she carved out a few queers
        to love her —
            the most kind of women,
            to love us deviants

        she wiped away our tears with her touché kleenex —
           
            on television everyone is a performance
            the difference being only in the self-awareness

        appendix:
        this hero of a guy chris cries on a streaming video
        that the media needs to leave Chutney Shears alone! —
        or you’re going to have to deal with me —
        she’s not well right now —
       
            and we rouse up our spirits with equal fags
        who stand up for the underdogs, yup

        even pee-wee fucking herman,
        a champion of gay rights —
       
            his onanism in a girly porno theatre
    warmed the cockles of our leftist fag hearts

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