Showing posts with label philosophy of self. Show all posts
Showing posts with label philosophy of self. Show all posts

13.5.20

Quotation: On the Self in Relation to the Other in Psalm 139 of the Hebrew Bible

In this post, I talk about a passage from the Hebrew Book of Psalms that extols the self with respect to the Other.
Photo by Les Triconautes on Unsplash
You formed my inmost being; you knit me in my mother's womb. I praise you, because I am wonderfully made; wonderful are your works! My very self you know.
Psalms (139:13-14)
The Ancient Songbook of the Hebrews
     The Hebrew Book of Psalms is an ancient songbook — but its music has been lost. No one quite knows how the psalms were set to music. All we have today are the words. Perhaps the words were sung a capella, or they were meant to be recited in a rhythmic pattern. There is a general suggestion that a lyre harp was the main instrument of choice. Attributed to the ancient King David, the psalms of the Bible number one-hundred-fifty. Each Psalm is a plaintiff voice to God, a prayer, but when read, the Psalms closely spell out a philosophy of the self.
     The "I" in Psalm 139 is an "I" closely tied to the experience of an Other. The first words of the Psalm are "Lord, you have probed me, you know me" (139:1). The Psalm sets the experience of the self in relationship to all-knowing God, a being who "knit me in my mother's womb" (139:1b). The experience of the self is one of relationship to a being greater than the self, a series of steps that brought the self from nothingness to being. Read in this way, the self is not an isolated molecule, a desiccated thing, a piece of something. The self is intricately bound up with the Other in such a way that the self is the other.

The Point-of-View of a Self Looking Backward 
     I have seen Psalm 139 used as an argument against abortion. The reasoning goes that since God has formed us in our "mother's womb" — the act of terminating a pregnancy is the annihilation of a future self. I imagine that suits pro-lifers well; and, I do begrudge them for their argument. But I see the verse of Psalm 139 tells a different story. The language of the Psalm is from the perspective of looking at oneself in awe. It is an epiphany that comes with awareness, with a self-consciousness that only comes from a sense of becoming. "I am a self!" — is a type of understanding a developed being has — that type of awareness that "I am a self — and this 'knowledge is too wonderful for me'" (139:6).
     The self of Psalm 139 is the self that has achieved the highest level of Maslow's hierarchy of needs. I come into this world kicking and screaming. No one asked my permission to exist. But here I am. I eat. I feed off my mother's milk. I kick. I squirm. I am dependent, and I barely recognize my own image; the world is me, and I am the world. But I break into self as a kind of divided self. I acknowledge that I am a "me," and it is traumatic for I feel at once the break from the other. It is a seismic break (but one that I do not remember distinctly). But I came out of it and entered childhood, with its ravages and glories, into adolescence and then into adulthood — where I now stand. I imagine David, the eternal lyricist, wrote this Psalm in middle-age — not as a mewling boy, not as the teenager who slew Goliath, but as the King who one day woke up to an understanding of his own being.

Positive and Negative Aspects of the Self in Relationship to the Other
     I do think there are positive and negative aspects of a self in relationship to the other. In Psalm 139, this relationship is seen as positive, as one that pervades one's being with an empowering message — that you are wonderfully made. It is the voice of a parent, for example, that has buttressed you with confidence, and you have internalized this encouragement. An inner voice that carries you through the toughest of times. But there is also a negative aspect of a self in relationship to the other — it is the demanding other. I see this demanding other when I cede over my power to another that seeks to punish. When I am not right in the world. When my being feels as if "foes ... conspire a plot" against me those "enemies I count as my own" (Psalm 139:20; 22b).
     I call the positive self concerning the other the creator. It is the feeling of being right with the world — perhaps that feeling one gets as a child when your teacher places a gold-bright sticker on your classwork, and you carry it home beaming. I call the negative self for the other the destroyer. It is the feeling of not being right with the world. Crushed by the other, we succumb to self-loathing and self-sabotage. The other of Psalm 139 saw us unformed — "my days were shaped before one came to be" (Psalm 139:16). The self stands between this tension of positive and negative forces. The "I" of the self entangled with an other.

What is a Self Free of this Entanglement?
    Zeus conspired to chain the old gods in a locked chamber in the underworld. Sons grow up to overthrow their parents. A self "knit together" in the womb grows up to be independent — at least, isn't that the purpose of adulthood? Freedom for the self is real. But true freedom is terrifying. I think of the choices I make in my life — most of them are habitual. Born out of necessity. Out of duty, even. But in that space of habitual service, can there be something like freedom? It is not every day one makes life-changing decisions — but I feel like there are axial moments in the life of a person that has set the pathway. Maybe there is more than one path. I do not know. 
    An axial moment in dance is when the dancer fixes their body in one place, using the spine as a focal point, so as to find optimal movement for all the joints. It requires determination, strength, and a nimble body — one that I do not have! — but I like the metaphor. I was knit together in my mother's womb but now I find myself standing on two feet. What is next? What step do I take? That choice is what defines me. And do I make it my own? Yes. That is what I hope.
What was your axial moment? Let me know in the comments.   

Source:
NABRE: New American Bible Revised Edition. United States, Saint Benedict Press, LLC, 2011.

25.1.20

Self-Portrait in a Instagram-Laced Painterly Palette

In this post, I took a ton of painterly-style Instagram selfies and I talk about how we never understand each other well - in most circumstances. Understanding others is hard. But worth it.
A collage of Greig Roselli in a blue parka
     There is a moment in the new HBO comedy series "Mrs. Fletcher" where a young, white college kid sits at the lunch table with several guys he assumes are "just like him". The guys are talking about climate change in a thoughtful, meaningful way and the young, white college kid makes a joke about riding a surfboard on a tsunami wave. He's looking for laughs but he misses the cue. He assumes that people who look like him and dress like him will, in turn, have the same mindset as him. 
      I have come to find out that the biggest mistake one can make is to assume that another person thinks the same way that you do. And even if another person thinks similarly to you, or dresses similarly to you, it is the worst mistake possible, to consider that other person you. It is harder to make yourself known to another person, to a friend, a lover, or whatever. It is hard because it means you have to begin to understand the other person first and they have to begin to understand you.  

7.5.17

Greig Wakes Up After Reading the Last Chapter of The Sound and the Fury

Greig Roselli Signed Selfie
Discovering filters late in the game, I am all agog.


Do you ever wake up with an intense dream that fills your morning with a rather bizarre metaphysical tone about it? I know - I studied philosophy - so I am not sure if I am alone - but I have a hunch that most of us have had this experience - if not once - then quite possibly a hundred times, even more. 

It goes like this. It is a particular kind of dream. I wake up and I am seized by a memory from my childhood. I am in the backseat of the car on the way to swimming practice. Or I am a kindergartner turned around in my chair looking at mom in the back of the classroom. Or I am being stung by honeybees on a Summer vacation to Pass Christian, Mississippi.

The memory has a connection to the dream but it is not the content. The memory springs from the dream. The dream is often abstract. A silhouette of a man. An empty room that needs to be swept. I wake up and I am seized by the memory. What follows next is melancholy. I become so sad because the memories seem so far away from the current moment. Who was that person sitting in the back seat of the car? I can remember myself in the car but I cannot occupy the self of that person - of that other individual who is me but because either it was so long ago I cannot rewind the moment - or that I have become so different from that kid on his way to swimming practice that I can only archive the memory rather than inhabit it.

What follows the memory is a sharp intonation of mortality. I realize that I will die and I am again saddened by the passage of time. I know. It sounds morose. And it is cliché to say - "We're going to die." But I think when you feel your mortality in the morning after you wake up from this kind of memory sensation it heightens the feeling. It is more intense.

What follows is I think about how I am alive right now with many other people who are alive who share my timeline. People who were born at the same time as me; also, those people who were already alive and I have merely joined in - late for the party. Or, those who have recently joined us here on earth to have cake.

It's like the whole human race is a collection of dim lights that go on and off slowly - seen from above it would look like a slow-motion version of an air traffic controller's control board. As each light brims into existence, its light glows slowly to a fierce yellow then dissipates. But other lights are also coming in and out of existence. Once the light is gone it is gone forever. And there is not much variation - except the duration - because one light may brighten longer than another. 

It's probably because I have spent the weekend reading Faulkner. Like at the end of The Sound and the Fury, Luster takes Benjy on a furious ride around the Compton plantation on the family's horse and buggy - but very fast and in the direction Benjy is not used to taking. When Luster goes left - instead of right - Benjy groans and moans - roars! - and there is a horrific sense of the order of the world turned over. Of course, order is restored in the end and the world becomes "serene again as cornice and façade flowed smoothly once more from left to right, post and tree, window and doorway and signboard each in its ordered place."

It's like how at school kids always sit in the same place at lunch. Or how a broken clock can send a sharp sense of anxiety even in the most sensible of person. Or the feeling of dread when someone walks across the street and is almost hit by a careening bicycle. Composure is rattled. Like my morning awakenings. But with time everything regains composure and I am once again enveloped in the rhythm of the turning world.

31.5.15

On Not Being Right in the World

One of the Damned from Michelangelo's fresco "The Last Judgment."
Advice for When You Do Not Feel on Par with Existence:
While we value people who have come through significant challenges, the prevailing opinion among many is that those who are struggling just have not tried hard enough.

However, there is value in not being right in the world.

It does not mean you are not trying to succeed.

Who is Measuring and Why Does it Matter?
Often we are measured by criteria that even those who are setting the criteria don't fully understand.
Image Source: Michelangelo Buonarotti, "The Last Judgment" 1537-1541, The Sistine Chapel, Vatican City

23.9.12

On Writing: Late Night Post On Practice Makes Perfect


On writing, and why practice makes perfect.
A joy wall we made at school.

Developmental argument: Practice makes perfect. I look at stuff I wrote when I was thirteen and think, "who was that?"
My friend Glenn and I ate lunch in the 
museum café and then saw the exhibit Lifelike.
Retrospect argument: I look at the stuff I wrote yesterday and think, "ain't perfect but better."
Words I tell myself: Experience contributes to the adage practice makes perfect.
Invasion of the Body Snatchers: Or maybe writing is simply creating several versions of oneself.
Psychopathology of Everyday Life: It is spooky to find something in a discarded notebook with your name inscribed at the top but the contents are alien to your very sense of being.

14.6.11

Poetry Repost: "I am what I am"

By Jacques Prevert
Tercerunquinto, I Am What I Am. Monclova
Tercerunquinto.
I Am What I Am
I am what I am
I am made like that
When I have a desire to laugh
Yes, I laugh with a burst of laughter
I like the him who likes me
And it isn't my fault
If it isn't always the same him
That I love every time
I am what I am
What do you want more
What do you want of me

I am made to please
And I can't change a thing
My heels are too high
My waist too arched
My breasts much too hard
And my eyes too dark
And then what is more
What can that be to you
I am what I am
I please who I please
What can that be to you
What has happened to me
Yes I've loved someone
Yes someone has loved me
Like children love each other
Just know how to love
Love to love
Why ask me questions
I am there to please you


Tercerunquinto.
I Am What I Am
Installation view, Ikon Eastside 2008
Photo: Stuart Whipps