Paint Night: We Did Van Gogh's Sunflowers

I’m no Van Gogh. I have both 👂. But I love a good communal 🎨. With my collegial krewe, we paint and pass the time.

Art Motif: "The Sitting Pose"

Homme noir nu assis recroquevillé (2007)

I think I fell in love with the nude sitting pose in art when first I saw Hypolite Flandrin's version at the Louvre.

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Image Courtesy: Camille

Aesthetic Thursday: Edvard Munch's "The Scream"

Edvard Munch "The Scream". Pastel on board, 1895.

Moma will display one of four versions of Edvard Munch's expressionist painting "The Scream". The heavily reproduced and often parodied image will be on view at the museum on October 24 - April 29. The version Moma will display is pastel on board and has been lent to the museum by a private collector. The other three versions are in museums in Norway.

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Aesthetic Thursday: Max Beckmann, Beginning

"Beginning" Max Beckmann, 1949, oil on canvas, The Metropolitan Museum of Art

Triptychs
The piece "Beginning" is a triptych which means it is a single work composed of three panels. Triptychs were originally intended for religious art. Since the work is composed of three separate panels, once installed in a church or home, the priest could open or close the panel depending on the day of observance. Beckmann chooses the traditional triptych style, not for religious purposes but to depict pivotal events in a boy's adolescent development.

The Central Panel
The central panel depicts a boy on a white horse, a woman wearing blue stockings lying on a divan (smoking a hookah?), a cat hangs on the ceiling (reminds me of Puss in Boots).

Left Panel
An organ grinder, an angel, a boy with a crown.

Right Panel
Boys with laconic gazes, a teacher disciplines a pupil, a boy displays his pornographic magazine to other students.

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Aesthetic Thursday: Boy in a Striped Sweater

Amedeo Modigliani, Boy in a Striped Sweater, 1918, Metropolitan Museum of Art

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Oil on canvas
H. 36, W. 21-1/2 inches (91.5 x 54.5 cm.)

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Aesthetic Thursdays: Oedipus and the Sphinx

In this blog post, I compare Gustav Moreau and Jean-Auguste-Dominique Ingres's two very different paintings of Oedipus solving the riddle of the Sphinx.

"Oedipus and the Sphinx" - Gustave Moreau. 1864. Oil on canvas. Metropolitan Museum of Art, New York City.

Notice the bottom of the painting. The gray corpse and fallen crown foreshadow Oedipus's tragic fate. The painting depicts young Oedipus as powerful, able to thwart the Sphinx's cunning by answering her riddle. But, the viewer can't help but notice death hiding just beneath.

Oedipus and the Sphinx, Jean-Auguste-Dominique Ingres. 1827. The Louvre, Paris.

Notice in Ingre's version, we see depicted in the left foreground the foot of a fallen corpse (who guessed incorrectly) as well as in the right foreground a foreshadowing of Oedipus's own demise. Since Oedipus solved the Sphinx's riddle and saved Thebes from a plague, he was given the Queen Jocasta as his wife who later is found to be his mother. Jocasta hangs herself and Oedipus blinds himself with her brooch.

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