Exploring Jackson Pollock's 'Number 50': A Journey into Drip Painting and Abstract Expressionism

Let's talk about Jackson Pollock's 'Number 50'. Dive into the world of action painting, a subset of Abstract Expressionism, developed mid-century by Pollock, where he set out to explore a blend of chance and precision in abstract art.

🎨🖌️ Dive into the dynamic world of Jackson Pollock’s ‘Number 50’, a 1950 masterpiece of drip painting. This piece is not just paint on canvas; it’s an iconic example of action art and abstract expressionism. 💫🌌

Pollock’s method? Using house paint and a stick to let each drip and swirl take its own course, creating a symphony of controlled chaos. But how much control did Pollock really have? 🤔🎨 Each splatter and line raises questions about artistic intent versus randomness.

•

Reflect on the nature of art itself: the choice of colors, the angle of the drip, and the artist’s movement around the canvas. It’s a dance of chance and precision. 🕺💃

•

Ever written about art and received unexpected feedback? Share your experiences and thoughts on this captivating form of expression. Let’s delve into the depths of drip painting together! 🤓✍️

PDF Copy for Printing

Fall Teaching Diary: After a Quarter of the Year Teaching (On the Hinge of the Covid-19 Pandemic)

I am a high school English teacher. But, in this post, I don't talk at all about teaching. But if you want to check out my store on Teachers Pay Teachers — it's lit! I took a selfie while waiting for a burger at the Five Guys on Fifty-Something street in Manhattan. Then I went to see a French film at the Museum of Modern Art — L'amour Fou, directed by Jacques Rivette. I knew nothing of the movie, except that it was an artifact of the Nouveau Vague — and its running time was well-over four hours. The movie's images and set-up captivated my imagination. I only once became anxious about sitting in the theater for that long. The movie is about the break-up of a theater director guy and his girlfriend, an actor (performed by by Jean-Pierre Kalfon and Bulle Ogier). The film cuts between life in their Parisian apartment, scenes from rehearsal of the play Andromaque, and a documentary film crew filming the director's rehearsals. Lots of talking. And improvisation. So it feels natural. Something that a long-run movie does for the viewer. And the scene where the couple has a Dionysian tear-up of their apartment was fantastic. And then the moments when the guy was a total masculine unsympathetic man — I didn't care for that much. The focus on the female character was my go-to source of enjoyment. Hooray! I watched that long French movie. And then I went home and became anxious because I was looking to move to a new place. I move on December First, and I have no idea where I will end up or with who. Long story short — I decided (and my current roommate) agreed that our time was up. We divorced. Amicably. Kind of like in the French movie — except my roommate is not my lover. *Laughing out loud* I plan to move to another place in the neighborhood — in Jackson Heights, Queens. I like the environs even though it is a tad boring. So wish me luck and let me know in the comments if you have ever seen a French film that you liked and why.

Film Still from Jacques Rivette's 4-hour long film L'amour Fou

PDF Copy for Printing