Revitalizing High School Reading Programs: Diversifying Book Selections for Engaged Learning

Read and write for pleasure.

For the past three years, I’ve had the honor of leading the summer reading program at my school. This experience has provided valuable insights into creating engaging and educational reading experiences for teenagers during the summer. Additionally, I’ve developed reading programs for winter breaks and fostered independent reading to expose my students to a wide variety of books.

My journey began with the recognition that all texts, whether from textbooks or prescribed curricula, have their own historical and cultural significance. While I enjoy teaching classics like “A Midsummer Night’s Dream,” “Romeo and Juliet,” “The Pearl” by John Steinbeck, or “The Great Gatsby,” I’ve discovered that a wealth of rich, layered texts can open students’ eyes to different perspectives.

For instance, this year I taught “Upstate” by Kalisha Buckhanon, a contemporary author. The novel explores the lives of a young couple in Harlem, with the male protagonist being wrongfully accused and imprisoned. The narrative unfolds through their exchanged letters over several years. My students found this an enlightening experience, leading to discussions on love, personal transformation, and social issues.

Moreover, I’ve been inspired by the work of Gholdy Muhammad, who emphasizes the need for literature to represent diverse identities and intellects. Such texts can challenge ingrained beliefs or ask probing questions. An example is Octavia E. Butler’s “Kindred,” a novel I taught this year. To my delight, one of my students informed me that a TV series based on the book has aired on HBO, demonstrating its contemporary relevance.

Through these experiences, I’ve learned about the historical context of high school reading lists and explored strategies, tips, and theories to expand literacy. I’m excited to bring this knowledge and experience into the 2023-2024 academic year.

Let me know what books you love to read with adolescent learners, either for pleasure, as an anchor or mentor text, or for independent reading.

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National Coming Out Day is October 11th: Here's is How One Teacher in Queens Talks About Coming Out as Both a Personal Journey and in Their Role as a Teacher

For National Coming Out Day, Tuesday, October 11, 2022, the LGBT Network sent me a box of pride rainbow and trans ribbons to distribute to students in my school to support "coming out" against violence, discrimination, and abuse against members of our community. Here's more tea: 

Coming out as a Teacher

I came out as a teacher in 2017. I remember the moment — it was on a school trip to Nantucket. On a whim, a group of kids, a few other teachers, and I went to an author talk: the novelist Benjamin Alire Sáenz, who wrote Aristotle and Dante Discover the Secrets of the Universe, was speaking at the Nantucket theater. Mr. Sáenz spoke about writing young adult fiction, a term, he said, didn't apply to him, but apparently, young adults find his novels appealing. I asked a question about coming out, and I said, "As a gay kid growing up, we did not have representation of gay, lesbian, or trans youth, and I told him how grateful I was for this generation that is changing.

Since then, I have been out as a teacher. I have helped start a GSA club at my school, and I included Sáenz's book in the English Langauge Arts curriculum for our teachers. I even created an elective course, "History Comes Out," where we explored biographies of queer figures in history and pop culture. 

Not that I was in the closet, necessarily, before that time, in Nantucket, but I feel like I kept my sexuality to myself and did not talk about it in the classroom, sticking mainly to the role of "single, guy, teacher vibes." I was out to my close circle of co-workers and family, but I bifurcated who I was from my role as a teacher.

Now, the fact that I am a gay male in New York City is not a huge deal. We are legion. But, the number one reason I am vocal about my sexual orientation and gender expression is that I want to normalize the experience for kids who might need or want a different kind of adult. I feel like, sometimes, I have to conform to some heteronormative script that I have concocted in my head. And it has taken a while; I am still learning that I can just be myself.

Growing Up Gay

I grew up as a gay boy in South Louisiana in the 1990s. It was like going to a crawfish boil and telling everyone you don’t eat seafood. They’d look at you like you just grew two heads. 

Now — as an adult — I’m out and proud. So shut your face if you don’t like it. Just kidding! Kinda.

National Coming Out Day

Today is National Coming Out Day. Thank you, @lgbtnetwork and @nycschools, for supporting my school @gardenschoolnyc and @gardenstudents with LGBTQ+ ribbons. The kids who participated love love loved it. 

Here are details from the day: 

A twelve-year-old girl came to me with a drawing she had made on her art 🖼️ app of me as a woman. She was so proud to show me. It made me appreciate my feminine side. A boy talked to me about transphobia and discussed strategies to combat it. And @bats4k gave a heartfelt speech at our school's weekly morning meeting. At dismissal, one of my students was sure to say, “I wore my ribbon all day!”

I am one proud teacher, gay man, gender-affirming, inclusivity-loving individual. Sprinkles!

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#gaypride #gayteachersofinstagram #gay #schools #nationalcomingoutday #queer #trans #kids #lgbtqia

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Teaching Peter and the Wolf: 2006 Oscar Winning Suzie Templeton Short Film

In this post, I talk about teaching the short film "Peter and the Wolf" in my Eighth Grade English Language Arts class in Queens.

A typical day of learning in Mr. Roselli's English Language Arts classroom.

I Needed to Teach Something Quickly; I Chose "Peter and the Wolf"

It's interesting how I come across content to teach. Usually, deciding what to teach is not a problem because I spend a good chunk of the weeks leading up to the new school year mapping out my courses. However, this past year, teaching my Eighth graders, there was a day that I needed to fill with an engaging lesson. We had just completed a forty-day mythology unit. I say "forty days" as if we were in the desert or something, but it was forty discrete lessons, each about forty-five minutes in length. So I had a "free day" before we started our new unit. So, hence, Peter and the Wolf!

Suzie Templeton Short Film "Peter and the Wolf"

Suzie Templeton is a gifted director, and her animated short film, "Peter and the Wolf," is based on Sergei Prokofiev's famous score. The movie is only about twenty-five minutes, perfect for my lesson. Also, because of its fairy tale elements, it fits nicely with a unit on mythology.

Do Now: Setting a Work of Literature to Music

I like to get my kids' gears turning, so as they entered the class during the passing period, I asked them if they were to set a story or play or myth that they had read to music what would it be. I was hoping for something like Orpheus and Eurydice set to "Like a Bridge Over Troubled Water," but I got Daphne and Apollo set to A$AP Ferg. I'll take what I can get. Also, I was keen to set my lesson to a reading standard that states students should analyze a representation of a subject or a pivotal scene in two different artistic mediums (Reading Literature Standard RL.9-10.7).

Watching the Movie and Answering Questions

We watched the movie in class -- and I was surprised by how quickly they got into the story. I think what works is that the animation is so unique. It's not the standard, glossy Pixar style my kids are familiar with. It's a quirky, stop-motion animation-style feature. And the kids noticed the exciting way the animators brought the story alive, zooming in on the setting, a small town nestled in a somewhat cold rural landscape. The character of Peter is sufficiently adolescent, and the Grandfather and the boy's big fat cat serve as comic relief. There also isn't a lot of dialogue, so you have to pay attention to the visuals to follow the story's narrative pacing.

While watching the movie, students had to complete a worksheet, which included sixteen "right-there" viewing comprehension questions. It's just a way to keep them focused, and later, they turn it in as part of their grade for the lesson. As a teacher, I learned long ago that doing activities where students have to write and show their thinking is valuable. Not only is it an excellent way to show what you are doing in your classroom, but it also serves as a snapshot of students' overall thinking. I also like to use the Adobe Scan app to capture their work. So I have an archive of sorts.

Discussing Foreshadowing, Visual Imagery, Identity, and Other Themes

After watching the film, we talked about the movie. The first big English Language Arts point I wanted to convey was foreshadowing. And the kids definitely picked up on that one. There are images and references to wolves from the beginning, opening shot, and end. And another interesting discussion we had was why Peter let the wolf go in the end. I received several answers, but I remember one of the boys in my class commenting on how Peter understood the wolf. And I agreed, which led to a discussion about identity. If I say so myself, very much in keeping with my students' socio-psycho development.

Writing Activity: What Message Does the Movie Convey? 

And finally, at the end of class, I told the students to pull out their notebooks, and they wrote independently about what they thought the film's message was, and I made them include details from the movie to support their answers. Having completed the viewing questions helped to jog their memories. As they left the classroom, they had to turn in all of their written work, and I had them each tell me orally the gist of their writing exercise.

You can purchase and download this educational digital resource from Stones of Erasmus.

Finally . . .

Do you teach short films in your classroom? How does it work for you? I'd love to hear your comments.

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Exploring Multiple Selves: Shedding the Myth of a Singular Identity

Discover how identity shifts as teacher, friend, and lover—an introspective look at shedding illusions to embrace our many versions of self.

Image Credit: Greig Roselli

This is a version of me: selves divided like equal slices of crumble cake. I am teacher: "a version of me." I am friend: "a version of me" In each I am never myself: friend, confidante, fucker. I am a version without status to a true self: I shed off that Romantic notion as a Hindi sheds bad karma. Tender lips? A version. An alternative. A choice. Another display.

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