Showing posts with label coming out. Show all posts
Showing posts with label coming out. Show all posts

11.10.22

National Coming Out Day is October 11th: Here's is How One Teacher in Queens Talks About Coming Out as Both a Personal Journey and in Their Role as a Teacher

For National Coming Out Day, Tuesday, October 11, 2022, the LGBT Network sent me a box of pride rainbow and trans ribbons to distribute to students in my school to support "coming out" against violence, discrimination, and abuse against members of our community. Here's more tea: 
Wearing Blue Greig Relaxes Somewhere in South Louisiana Circa 2010

The LGBT Network distributed ribbons to schools to celebrate National Coming Out Day on Tuesday, October 11, 2022.
Coming out as a Teacher
I came out as a teacher in 2017. I remember the moment — it was on a school trip to Nantucket. On a whim, a group of kids, a few other teachers, and I went to an author talk: the novelist Benjamin Alire Sáenz, who wrote Aristotle and Dante Discover the Secrets of the Universe, was speaking at the Nantucket theater. Mr. Sáenz spoke about writing young adult fiction, a term, he said, didn't apply to him, but apparently, young adults find his novels appealing. I asked a question about coming out, and I said, "As a gay kid growing up, we did not have representation of gay, lesbian, or trans youth, and I told him how grateful I was for this generation that is changing.

Since then, I have been out as a teacher. I have helped start a GSA club at my school, and I included Sáenz's book in the English Langauge Arts curriculum for our teachers. I even created an elective course, "History Comes Out," where we explored biographies of queer figures in history and pop culture. 

Not that I was in the closet, necessarily, before that time, in Nantucket, but I feel like I kept my sexuality to myself and did not talk about it in the classroom, sticking mainly to the role of "single, guy, teacher vibes." I was out to my close circle of co-workers and family, but I bifurcated who I was from my role as a teacher.

Now, the fact that I am a gay male in New York City is not a huge deal. We are legion. But, the number one reason I am vocal about my sexual orientation and gender expression is that I want to normalize the experience for kids who might need or want a different kind of adult. I feel like, sometimes, I have to conform to some heteronormative script that I have concocted in my head. And it has taken a while; I am still learning that I can just be myself.

Growing Up Gay
I grew up as a gay boy in South Louisiana in the 1990s. It was like going to a crawfish boil and telling everyone you don’t eat seafood. They’d look at you like you just grew two heads. 

Now — as an adult — I’m out and proud. So shut your face if you don’t like it. Just kidding! Kinda.

National Coming Out Day

Today is National Coming Out Day. Thank you, @lgbtnetwork and @nycschools, for supporting my school @gardenschoolnyc and @gardenstudents with LGBTQ+ ribbons. The kids who participated love love loved it. 

Here are details from the day: 
A twelve-year-old girl came to me with a drawing she had made on her art 🖼️ app of me as a woman. She was so proud to show me. It made me appreciate my feminine side. A boy talked to me about transphobia and discussed strategies to combat it. And @bats4k gave a heartfelt speech at our school's weekly morning meeting. At dismissal, one of my students was sure to say, “I wore my ribbon all day!”

I am one proud teacher, gay man, gender-affirming, inclusivity-loving individual. Sprinkles!


#gaypride #gayteachersofinstagram #gay #schools #nationalcomingoutday #queer #trans #kids #lgbtqia

4.8.19

Coming Out Stories: Inspired By a Quotation From the Documentary Paris is Burning, I Write about Growing Up Gay in Louisiana

Paris is Burning © 1990 - a documentary about the gay ballroom scene in New York City.

N.B. This post is about growing up gay; and as such, it deals with content that some may find offensive. I know there is a lot of heat about the Tayler Swift Song "You Need to Calm Down" - but I will say to my possible haters: "You are somebody that I don't know / But you're taking shots at me like its Patron." And I don't even drink Patron!

     I am a slow learner. Growing up gay in South Louisiana in the early 1990s I had no idea there was a subculture just for me. I could have had a family. I could have been like the fem boys and the drag sisters and mothers of the street. I could have jumped on the Greyhound bus in Mandeville, Louisiana and landed as a street kid in New York City. However, as a twelve-year-old kid who had a semblance of his own gayness, I did not come out to my friends as gay until I was seventeen years old (which is an entirely different story) - and I was not out to any of my family members until way later in life (when I was in my 20s and 30s). I remember my mom asked me when I was about sixteen if I were gay and I flat-out said: "No, Mom." I did not have to think about it. I was not ready to go down that road. I think I had a deep sense of secrecy because I had internalized that my gayness was not something to share. It was a part of me but it was not something I wanted other people to know. And as the kids in Jennie Livingston's documentary Paris is Burning attest to - coming out as gay was not a safe option - even for the ballroom kids. In fact, it was the rejection of their gayness that led the ballroom kids to ascend on New York City's underground club scene in the first place where they ineluctably formed their own version of families (called "houses").
     I recently watched the documentary (which I am ashamed to say was my first viewing). I had only seen clips on Youtube and had listened to Ru Paul Charles preach about the film on her cable TV reality show Ru Paul's Drag Race  - which has gathered a lot of its aesthetic and jolt from the ballroom culture. Ru Paul rightfully references the show on her show - and I think she sees it as "a peering into" the world of drag culture that perhaps not many people are privy to. I could have used the truth of Paris is Burning growing up. I am sure my story is not unique. Growing up in the suburbs - which the filmmaker Xavier Dolan once said was "the place where dreams and ambitions go to die" - I wanted something more than "this provincial life." Thank you, Belle. Little did you know that as a gay kid Disney's animated bibliophilic French country girl was my hero. When you are gay - and you do not have a lot of representation in movies and on television - you go and find it; you make it; you see it in the subtext - which is probably why gay folk are really good at reading between the lines (and why some of us have made a name for ourselves in literary theory). Looking back on it I was crafty as a kid. I consumed gay identity - but I did it covertly and I was careful about learning how to be gay. I think I failed because when I went to my twenty-year high school reunion no one was surprised; I realize now that the superlative I received in the yearbook for "most friendly" was actually a substitute for "most gay." In the 90s there were emerging examples of gay representation but you had to look for it. I did buy a copy of XY magazine at the newsstand (I had to go in the back and look behind the Playgirls; but I found it - and I was internally satisfied by the magazine's outright celebration of gay male beauty. As a way of marking my gay desire, I did cut out my favorite pin-ups and pasted them in my notebook (that is a true story). I also hunted the shelves of the local public library for gay-themed books. I stumbled upon a copy of Gore Vidal's The City and the Pillar and read its frank discussion of surreptitious male desire and came to understand that homosexual desire was not only universal (not just tacked on to my identity) but something that existed and has existed for a long time and in different civilizations and dispensations.
    I say I am a slow learner because I have accumulated gay culture in drips and drabs. In 1996 I discovered the musical Rent - and I listened to it with my friend Jonathan like a billion times - along with tracks from Tori Amos's album Under the Pink and Crash Test Dummies. As a teenager, I was a theater kid. Being involved in community and school theater helped me to form my first sense of belonging. It was the closest I got to the ballroom scene as a kid. Not to say I was out in the small theater world I participated in (nor were any of my friends). We were the kids who did not do sports, were not especially interested in academic accolades, and we just wanted a space to hang out, to be on stage, to work together and to put on plays. My closest friends were straight boys and girls; and very rarely did sexuality ever come up in conversation; I never had a gay friend or lover in high school, and, as an adult, I was surprised when someone I knew in high school had come out as gay as an adult. Austin, for example, was a shy kid in my Seventh Grade American history class; his father was the vice principal of the school; he made excellent grades and he was intelligent and well-spoken; however, I don't think we ever socialized. Ever. Why didn't we connect as kids? Being gay is not an immediate reason to become besties, apparently. I had heard on Facebook that he had come out in college and he was, according to a mutual friend, very gay.