Alexander the Great's Portrait at British Museum: Deification & Legacy in Art

Hey, y’all. I’m in the British Museum. This marble portrait represents Alexander the Great and dates back to the 2nd century B.C.E. 

Alexander, a master of propaganda, meticulously managed the various depictions of his likeness across his empire. He entrusted the production of his image exclusively to a select group of sculptors and painters. These artists depicted him as youthful, with a clean-shaven face, long hair, and a dynamic pose characterized by a turning head. This style of portraiture was somewhat adopted by Alexander’s successors, but it exerted a more significant influence on the portraits of later Hellenistic kings and private individuals. Alexander was deified during his lifetime, and following his death, he was venerated as a god in images like this one.

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Language Meets Art: Exploring 'Amor' and 'Caritas' in Augustus-Saint-Gaudens’ Work at The Met 🌟🖼️

Explore the captivating intersection of language and art in Augustus Saint-Gaudens' masterpiece, Amor and Caritas, at The Met. A linguistic and artistic journey awaits, unveiling the roots of love and charity in this gilt bronze treasure. Perfect for educators and art enthusiasts.

Hey, y’all! 🌟 Hey, y’all! I’m at the Metropolitan Museum of Art today. I’m looking at Augustus-Saint-Gaudens’ gilt bronze piece from 1918 in the American wing. As a high school and middle school English and humanities teacher, I’m thrilled to share a bit of word power knowledge with you.

This piece beautifully intertwines language and art, featuring the words ‘amor’ and ‘caritas.’ 📚 ‘Amor,’ the Latin for love, is the root of the English word ‘amorous.’ And ‘caritas’? It signifies love and charity, a reminder of generosity and virtue. 💖

What makes this even more special is the angelic figure presenting these powerful words – a perfect blend of linguistic heritage and artistic expression. 🌈 So, here’s to finding love and language in art!

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Rediscovering "Bélizaire and the Frey Children": A Tale of Resilience in Southern Art

Hey, y’all. I’m in the Metropolitan Museum of Art in the American Wing. Y’all — it’s a moment of rediscovery for this New Orleanian! I’m standing before the once-lost-now-found “Bélizaire and the Frey Children,” a significant artwork that was hidden in the New Orleans Museum of Art’s storage for ages.

🎨 Painted circa 1837 by Jacques Guillaume Lucien Amans, this portrait captures an upper-class New Orleans family before the Civil War and includes Bélizaire, an enslaved Afro-Creole teenager — he was perhaps fifteen year’s old. What’s truly remarkable is Bélizaire’s inclusion in the Frey family portrait — a rare depiction of a person of color in Southern art of that era.

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The painting’s history is as haunting as it is fascinating. After the Spanish flu struck, tragically claiming the lives of the three Frey children, Bélizaire’s image was deliberately erased from the painting, likely by a Frey family member. Yet, his presence lingered like a ghostly outline, defying his erasure.

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🔍 Thanks to the efforts of historian Katy Morlas Shannon and art collector Jeremy K. Simien, Bélizaire’s story has been uncovered and his image restored. This painting not only offers a glimpse into the complex world of 19th-century New Orleans but also symbolizes resilience against historical erasure.

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🖼️ “Bélizaire and the Frey Children” stands as a testament to our complicated history and the enduring spirit of those who were once overlooked. It’s a haunting yet beautiful reminder of our past.

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Exploring Jackson Pollock's 'Number 50': A Journey into Drip Painting and Abstract Expressionism

Let's talk about Jackson Pollock's 'Number 50'. Dive into the world of action painting, a subset of Abstract Expressionism, developed mid-century by Pollock, where he set out to explore a blend of chance and precision in abstract art.

🎨🖌️ Dive into the dynamic world of Jackson Pollock’s ‘Number 50’, a 1950 masterpiece of drip painting. This piece is not just paint on canvas; it’s an iconic example of action art and abstract expressionism. 💫🌌

Pollock’s method? Using house paint and a stick to let each drip and swirl take its own course, creating a symphony of controlled chaos. But how much control did Pollock really have? 🤔🎨 Each splatter and line raises questions about artistic intent versus randomness.

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Reflect on the nature of art itself: the choice of colors, the angle of the drip, and the artist’s movement around the canvas. It’s a dance of chance and precision. 🕺💃

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Ever written about art and received unexpected feedback? Share your experiences and thoughts on this captivating form of expression. Let’s delve into the depths of drip painting together! 🤓✍️

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Medieval Majesty: Exploring the Intricacies of 11th Century Ivory Art at the Metropolitan Museum of Art

Journey through the Metropolitan Museum's medieval wing with an insightful look at a unique 11th-century ivory carving of Christ 'The Door' and a plaque featuring the Four Evangelists, unveiling the rich tapestry of Byzantine, Islamic, and Norman art influences.

Christ the Door

I find myself in the medieval wing of the Metropolitan Museum of Art, standing before an exquisite ivory carving of Christ. This piece, likely intended as a book plate for an illuminated manuscript, originates from the 11th century CE. During this period, particularly in Southern Italy, there was a flourishing of art influenced by a confluence of diverse cultures — Byzantine, Islamic, and Norman, to name a few.

Such ivory works were integral to the trade networks linking the Islamic world and other regions across the Arab world, serving as a testament to the cultural intersections at the Mediterranean crossroads. This is evident in the variety of objects within this display case, all crafted from ivory, symbolizing this rich cultural exchange.

Interestingly, this particular depiction of Christ is unique. He is shown holding the gospel book, referencing a passage from the Gospel of John, Chapter 10: ‘I Am the Door.’ It’s a fascinating symbolic choice, as Christ is not commonly portrayed as a door, despite the theological significance of the metaphor — representing the doorway to salvation. This element adds a distinctive layer to this already remarkable artifact.

The Four Evangelists

In the same display of ivory works, I stumbled upon another mesmerizing piece of history - an ivory plaque dating back to around 1050 CE. By the way — in the following video, I apologize for the audio quality; the museum is busy today!

Exploring Ancient Herms: A Visit to the Met Museum and Discovering Timeless Symbols

Join me on a journey through the Met Museum, exploring ancient herms and uncovering the enduring influence of these fascinating artifacts.

🏛️ Spent the day exploring the Metropolitan Museum of Art, and guess what caught my eye? Herms! These ancient pillars featured the busts of gods like Hermes and marked roads, entrances, and even doorways in the ancient world. Swipe left to see the striking example I found!

🚶‍♂️Why Hermes? He’s not just any god; he’s the patron saint of travelers and the psychopomp ferrying souls to the afterlife. Talk about multitasking! Hermes is also the god of commerce. These pillars were more than just art; they were divine guideposts for ancient society.

🚄 Flashback to earlier this summer when I was admiring the statue of Hermes perched atop Grand Central Station. Mind. Blown. 🤯 I suddenly realized that Grand Central is like a modern-day herm! It’s a transit hub guiding travelers and bustling with shops and eateries, making it a center of commerce, too.

🔁 The ancient and the modern worlds aren’t as far apart as we often think. It’s awe-inspiring to see that the symbolism of herms and Hermes has traveled through time, just like the travelers they protect and guide.

🌟 So next time you pass through Grand Central or another bustling hub, maybe take a moment to appreciate the millennia of human history that continue to resonate in our daily lives. Who knows what other timeless symbols are around us, quietly shaping our world?

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Find My TpT Store! Stones of Erasmus

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Unearthing Mysteries: An Encounter with Fortuna at The Metropolitan Museum of Art

A Byzantine Tale of Civilization and Fate at The Metropolitan Museum of Art. Where history meets artistry.

I am standing amidst the breathtaking expanse of the Metropolitan Museum of Art in New York City. Amid the myriad of artifacts and art pieces, I find myself drawn to an artifact of particular intrigue. At first glance, it may not command your immediate attention, but I assure you, its narrative is as grand as any. It's a captivating statuette hailing from the Byzantine era, bearing the likeness of a Roman goddess: Fortuna, also known as Tyche.

Fortuna (Tyche), Late Roman
or Byzantine ca. 300-500 C.E.

Upon closer inspection, you begin to notice the details etched into this statuette that elevate it from a simple representation of a goddess to a profound symbol of historical narrative. A distinguishing feature of Fortuna is her sculptural headdress, ingeniously designed to mimic a city-like fortress, replete with a gate, and walls to fortify it. The statuette portrays her with this sculptural motif of a city perched atop her head — a poignant indication of the goddess's authority and influence.

But, the statuette holds more in its petite form. Cradled in Fortuna's hand is a cornucopia - a classic emblem of abundance and prosperity. This combination, a city upon her head and a symbol of prosperity in her hand, is powerful. It's a juxtaposition that beautifully ties together the themes of urban society and fortune.

The statuette isn't merely an exquisite work of art; it's a vessel, carrying layers of symbolism and a profound narrative within it. Fortuna, adorned in her cityscape headdress, seated on a throne, paints a picture of the intricate relationship between chance or fortune and the development of civilization. It's a compelling reminder of how the evolution of societies has always been tied to the capricious hands of fate.

So, it isn't just a 'cool little statuette' - it's a piece of history, a symbol of societal evolution, and a testament to the intricate craftsmanship of the Byzantine era. It's the embodiment of the idea that every artifact carries a tale, waiting to be discovered, waiting to be told. Take a moment to admire this extraordinary piece of history and let Fortuna's tale unfold.

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Gego — Gertrud Goldschmidt — Retrospective at the Guggenheim Museum in New York to Open on March 31, 2023

In this post, I write about going to the opening night of the Gego: Measuring Infinity exhibition at the Guggenheim Museum in New York City.

On Thursday night, I saw a new retrospective exhibition at the Guggenheim, the iconic Frank Lloyd Wright-designed museum building on Manhattan's Upper East Side. Two artists' had openings — Sarah Sze and the German-Venezuelan artist, Gego (Gertrud Goldschmidt).

Do you see it? I was drawn in by the small square

dangling in the left corner of one of Gego's

trippy geometrical pieces — on view at 

the Guggenheim Museum.

       Another example of Gego's geodistic fever dream —
       can you imagine being shrunk and navigating
       you way through this three-dimensional maze?

Gego's work spans decades and includes small-scale paintings from the '50s to trippy geometric mobiles from the '70s. I particularly liked her drawings without paper — such as a wire mashup that appears to be graph paper 📝 and a series of interconnected wires that, when you step back, look like spherical shapes strung together. Thanks to @rguimaraes100 for letting me know about his wife’s associate curatorial work — brava to Geaninne Gutiérrez-Guimarães. You curators do amazingly awesome work: e.g., putting together such an impressive exhibit that spans the Guggenheim's spiral.

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#exhibit #guggenheim #art #show #gegomeasuringinfinity #guggenheim #curator

First image: Sphere; Second Image: Sphere; Third Image: From left, “Sin Título” (“Untitled”), 1977, bronze; “Siete Icosidodecaedros” (“Seven Icosidodecahedra”), 1977, steel and copper; “Sin Título,” 1977, bronze; and “Reticulárea Individual Nº 2” (“Individual Reticulárea No. 2”), 1969, steel, aluminum and iron. Credit...Karsten Moran for The New York Times

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Clip Art: School-Aged Girl with Glasses and Braces

The school-aged girl with glasses and braces is studious and determined yet often self-conscious despite her intelligence and kind-hearted nature.

Source: Created by Stones of Erasmus, coloring page (with digital elements added by open-source artificial intelligence). This image is created and made with love by Stones of Erasmus (stonesoferasmus.com).

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Clip Art: Surprised Teen Boy Close-Up

Caught in amazement — digital art of a surprised teen boy: looks directly at the viewer.

Image source: Created by Stones of Erasmus (with digital elements added by open-source artificial intelligence). This image is created and made with love by Stones of Erasmus (stonesoferasmus.com).

Find more of my clip art on TpT!

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Clip Art: A Winged Griffin About to Take Flight

This public domain image depicts the mythological creature the griffin — part lion and part eagle. A griffin is a legendary creature with the head and wings of an eagle and the body of a lion. It is said to be a powerful and majestic beast, capable of flying great distances and possessing great strength. In many myths and legends, griffins are depicted as guardians of treasure or protectors of sacred places. 

This particular image is in the public domain, which means it can be used for any purpose, including commercial use, without restriction. This is because the image's copyright has either expired or was never copyrighted in the first place.

Find more of creations on TpT!

Find more of my clip art on TpT!

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How I Made a Photorealistic Image Using an Artificial Intelligence Image Generator

In this post, I talk about how I create photorealistic images using artificial intelligence.

So. I did a thing. I learned how to create incredible drawings, photographs, and clip art using an artificial intelligence image generator. It's called Dall-E 2 (get, it?) and you can do some rather impressive things with it. Based on detailed command prompts like, "Draw a crayon drawing of X," or "Create a block print of Pandora opening a box only to find a delicious cupcake." The more specific the prompt, the better results.

Sometimes the results are rather stunning. I asked, "“Create a UHD 8k portrait of a silly curly headed middle school boy laughing out loud and enjoying life against the backdrop of an an-all-you-can-eat buffet.” Here is what it created:

Find a bunch of my clip art creations on TpT.

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Discover the Difference Between Raster and Vector Images: Clip Art Fun!

I have recently started making my own clip art, and the difference between raster and vector images is really important. Raster images are made from pixels, so when you zoom in on them, you can see the pixelated image, which appears fuzzier to the eye. While not always as detailed as a raster image, a vector image can be scaled and resized without giving off the dreaded pixelated effect. A vector image is made using basic computer geometry — shapes!

Here is a clip art image I made of a school girl with moppish hair giving off Little Orphan Annie vibes:

Aesthetic Thursdays: A.I. Art Made by Dall-E 2 — A Gallery of Images

I asked Dall-E 2, a powerful artificial intelligence that can generate original images, to create works of art based on specific instructions I gave, along with minor adjustments I made myself.

1. This is me reading a book and sipping coffee in my private library.

2. I asked the A.I. to make a Diane Arbus-inspired photograph of a boy with wings.

Celebrating the Lunar New Year of the Rabbit: On an Outing to the Metropolitan Museum of Art

In this post, I write about how I celebrated Lunar New Year and saw a rabbit, listened to a Mandarin-speaking docent talk about silver sculptures of the Buddha and watched an interactive dragon dance performance in the Great Hall.

A dragon dancer joins the line in the Great Hall at the Metropolitan Museum of Art 

Dragon Dancers
from Long Island

As we said goodbye to one year and welcomed another, I celebrated Lunar New Year with @juky_chen. From stunning works of art depicting classic examples of the rabbit to drums and a dragon 🐲 dance, it was a truly unique experience that I’ll never forget.

My journey began with exploring some incredible pieces on display of porcelain and jade works depicting the rabbit. In galleries 208 and 211, a Mandarin-speaking docent spoke about different sculptures of the Buddha carved out of silver. Only sixteen examples of this Buddha exist, and the museum owns two. The highlight for me was seeing firsthand how much detail went into each item — something that can get lost in photographs or videos. It made me appreciate more just how much work went into creating them!

A museum docent talks about a
16th-century Buddha sculpture from China.

Next up were several interactive exhibits focusing on different aspects of Lunar New Year celebrations, including the dragon dance in the Great Hall, kids dressed traditionally, music performances, and much more. It felt like being part of something special as the museum filled with festive joy while everyone got involved in what they saw before them — all while learning more about this important holiday’s cultural background.

Finally, I ended my day by visiting the gift shop, where I found many items related to Lunar New Year festivities, such as fans, banners for decoration, and all sorts of memorabilia perfect for taking home as souvenirs or decorations for future years' celebrations!

Overall it had been an unforgettable day full of discoveries that will stay with me forever — it reminded me why museums are so important: without their presence, these precious memories would disappear over time, leaving us none wiser than when we arrived!

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Aesthetic Thursday: "You Got Color, Girl?" Chroma Exhibition at the Metropolitan Museum of Art

In this post, I recount a recent visit to the Metropolitan Museum of Art, where I saw dozens of color reconstructions of ancient Greek and Roman works of art. Simply fabulous.

Greig poses in front of a young Marcus Aurelius in the
Ancient Greek and Roman wing of the Metropolitan Museum of Art in New York City.

Marble head of the youthful
Marcus Aurelius ca. C.E. 138.

You got some color, girl? I knew ancient sculptures — especially those from Greece and Rome — were once cascaded in rich coloration. 

But go to a museum today, and you see staid marble and what appears to be a vast collection of grays, browns, and three-dimensional black and white photographs. But the pigments and paints decay. And the weathering of the seasons and the march of time have made most color drain away. 

But the coloration is still there, in small traces — which the Chroma exhibition at the Metropolitan Museum of Art has attempted to recapture — to see ancient artworks in color again. Alas, you won’t see the now lost statue of Zeus at Olympia, but you will see that same artist’s head of Athena, which at one time had ebony eyes. I especially liked the bronze warriors. And the Sphinx in color was fantastic. 

If you have a moment and you are in New York — take a moment and experience these reconstructions done by Prof. Dr. V. Brinkmann & Dr. U. Koch-Brinkmann. @metmuseum @metgreekandroman

Reconstruction of a marble portrait of the
Emperor Gaius Julius Caesar Augustus Germanicus,
known as Caligula, Variant B.

Reconstruction of bronze statue from 
the Quirinal in Rome of the so-called Terme Boxer.

Read Clockwise: [1] Reconstruction of a marble archer in the costume of a horsemen of the peoples to the north and east of Greece, from the west pediment of Temple of Aphaia, Variant C. [2] Reconstruction of a marble finial in the form of a sphinx. [3] Marble head of Athena: The so-called Athena Medici. [4] Terracotta neck-amphora (jar) ca. 330–310 B.C.E. Attributed to the Ixion Painter — On the body, obverse, Hippolytos, attendant, and Phaidra, with a Fury above. 

 [1] Reconstruction the bronze statue from the Quirinal in Rome of the so-called Terme Rule. [2] Reconstruction of bronze Riace Warrior (mid-view detail).

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Clip Art: Bust of the Olympian God Zeus (Jupiter)

Bust of Zeus (Jupiter), the supreme deity of the Olympian gods, is depicted in a Roman copy of a Greek original from the 4th century B. C.E. The bust was found in Orticoli and is displayed at the Pius-Clementine Museum in the Vatican.  

Bust of Zeus

Image Source: "Head of Jupiter from Otricoli. Marble. Roman copy after a Greek original from the 4th century BCE. Rome, Vatican Museums, Pius-Clementine Museum, Round Room, 3 (Roma, Musei Vaticani, Museo Pio-Clementino, Sala rotonda, 3)." I made a Zeus-themed unit plan on TpT!.

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Aesthetic Thursday: People Who Found Their "Twin" in Old Paintings

In this video repost on my blog, I report the uncanny phenomenon of regular folks finding their doppelgängers in old paintings. Maybe I will find mine soon enough!

Have you ever seen an old painting and seen someone who looks eerily similar to yourself? This isn't just a coincidence - some people have found their "twin" in artwork from centuries ago! These unique instances of serendipity are becoming more common thanks to the rise of facial recognition technology.

     For instance, British researcher Nick Barraclough was researching a portrait painted by Dutch artist Frans Hals in 1633 when he noticed that one of the figures bore a striking resemblance to himself. After further investigation, he discovered that he is descended from the same family as the sitter in this 350-year-old painting! Similarly, Ross W. Duffin recently stumbled across his doppelgänger: a warrior from a 17th-century Jan van Bijlert painting. “I thought, ‘Wow, that is really funny, he looks just like me,’” Dr. Duffin recalled. Then he moved on.

     These stories remind us how much our world has changed since these paintings were created — yet how little we truly know about our pasts. It's incredible to think that something as simple as recognizing your own face can lead you on such an incredible journey back into history. Who knows what secrets you may uncover if you continue searching for yourself and those long-forgotten ancestors?

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Clip Art: Helios, God of the Sun

In this post, I share a public domain image of Helios, the Greek god of the sun.

This public domain image, most likely depicting the sun god Helios (but sometimes conflated with Apollo), comes from page 120 of "Manual of Mythology: Greek and Roman, Norse, and Old German, Hindoo and Egyptian Mythology" (1875). The detail in this artwork is extraordinary - it captures the essence of a powerful divinity with remarkable precision. One can almost feel the energy emanating from Helios' shining form as his golden hair resembles a diadem. He holds a cornucopia in one hand while the other clutches an alabaster glass bowl filled with liquid light. It's no wonder such depictions have endured for centuries; they remind us to bask in the warmth of divine power even today. 

Image source: Originally scanned by the New York Public Library Digital Collection  (digitalcollections.nypl.org). 

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Why I Love TikTok Content Creators (And So Should You)—And a List of Zany TikToks I Found

I have a penchant for the theatrical. 

The dime novel. The beauty in the absurd. The homemade movie. The guy with the camera turned on himself. The take-a-household-item-and-make-a-prop kind of performativity. 

You get the gist.

And where can you find the most beautiful schlock the Internet has ever created? Why go no further than TikTok. It's a platform where content creators put their own identities front and center — and it's a highly satisfying romp.

If you didn't know — TikTok is a mobile video app owned by the Chinese company ByteDance. The first iteration of the app was dubbed Musical.ly, authored by software Engineers Alex Zhu and Luyu Yang. Basically, the app began as a lip syncing app called Musical.ly and its companion live streaming app called live.ly. TikTok was a rebrand of the app that attempted to fold both features of the two social apps into one.

And the rest is history. 

Just as Twitter revolutionized the short writing form of 265 characters, TikTok has ushered in the micro-length video form of 15 to 30 seconds.

The draw of TikTok is twofold — it’s easy to use and to create content with, coupled with its immense sound and music library and its unending filter library. However, the best TikToks have neither — they’re pure spun dioramas of peoples constructed private lives. And it’s why I first was enamored of the platform — peering into people’s live created in a dizzying array of quick action theater of the absurd. 

Here are some gems I’ve collected along the way. 

1. The Smiling, Waving Homage to The Sitcom Montage

This teen has an instinctual appreciation for the visual grammar of the iconic television sitcom montage — ignore the silly tune — and pay attention to how his edits match perfectly something out of American television classics Growing Pains or Family Ties.

2. Antoinette's Casual Use of the Cigarette

It’s easy to dismiss @antoniteegrams because her videos are riffs on soundbytes. But she’s so humble in her mien and I love her casual use of the cigarette. I have no idea what the original source of the soundbyte is but that’s what makes TikTok endearing. Any random noise can be strewn into actor’s gold. Andy Warhol was partly right — in the future everyone will be famous — but not just for five minutes, but for as long as you have working Internet and a smartphone with a halfway decent camera.

3. The Family Dinner Table is Often a Suitable Mise-en-Scene

@eddiepdoyle videos his grandmother’s acerbic comebacks in dozens of video. TikTok has made many folks Internet famous because a cousin, or grandson, or daughter, or someone, picked up a camera and started candidly filming a family member. The immediacy of the moment is right at your fingertips, as if you’ve stumbled into this woman’s cluttered kitchen and she wants to know what you want from her. Classic.

4. A Colorful Edit

It’s possible that this edit is rather basic. But it's relatively early TikTok. I like the use of color and fashion and the sheer fact that the guy is having a lot of fun. And that's quite a mess for one less-than-thirty-second video.

5. Boys Wear Tee-Shirts on Their Heads When They Play a Girl

So teenage boys on TikTok will don a tee-shirt on their head when they're playing a female role. It's sheer schlock. But a testament to the fact that no TikTok star has a wardrobe warehouse or access to MGM studios. Although, it is odd that teenage boys think a woman's hair is well represented by donning a tee on their head. Oh, girl!

6. Sissy That Walk!

If you can't get on the runway, girl you better werk. So does this amazing runway walk that is probably this TikToker's backyard. Sissy that walk!

7. The Five Minute Bathroom Break 

TikTok lends a view into working class jobs — fast food attendants, nail salonists, customer service representatives, and the lot. One thing network television cannot do — even though it has tried with shows like All in the Family and Roseanne — is replicate the experience of an everyday American's day at work. And often that means taking a five minute bathroom break and talking to the mirror. Period.

8. Right?!

I am not sure what to think of this video. Brilliant? Yes.

9. The Smiling Boy

This boy has created an entire fandom over the fact that he is a teenager who enjoys smiling.

10. The Histrionic School Lunch Lady Performance

Again put a piece of fabric on your head and all of a sudden you are a woman. And I wouldn't even call this drag. I call it histrionic performativity. And I didn't steal that from Judith Butler.

11. It's Got To Be the Sweater

It could be ironic that this guy is wearing a Playboy sweater. Right?! Multiple Tik-Toks are created by people, mostly teenagers, who are bored. And lots of TikTokers were born out of the Covid-19 pandemic.

12. The Best Comedian is Probably Your Neighbor, Mr. Pickles

Again — the beauty of TikTok is that it creates stars out of ordinary people. I love this guy's vulnerability and authenticity all packaged into a nice, yellowy-orangey color scheme.

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