A Glimpse of Mythology Above Grand Central Station: The Watchful Hermes

I’m standing here at the entrance to Grand Central Station on 42nd Street and Park Avenue, admiring the statue of the god Hermes, also known as Mercury, that stands on top of the pediment.

I met a friend at Grand Central station today and decided to do a quick, impromptu art history lesson.

As I navigate the bustling streets of Manhattan, New York, I find myself standing amidst a cacophony of the city's rhythm. There, at the intersection of 42nd Street and Park Avenue, in front of the iconic Grand Central Station, I pause and raise my eyes to the architectural marvel that is the terminus building. Perched atop this historic landmark is an impressive, grand sculpture that seizes my attention — the radiant figure of the Greek god Hermes, or as the Romans would say, Mercury.

Griffins & Mythological Creatures: Architectural Motifs in the Jackson Heights Neighborhood of Queens

New York City neighborhoods are rich in history, and Jackson Heights is no exception. Situated in a rectangular swath of Queens, with Northern Boulevard, the expressway, Roosevelt Avenue, and Junction Boulevard as its perimeter borders, this neighborhood boasts a charming collection of beautiful pre-war residential buildings, many of which feature intriguing architectural adornments, including the presence of mythological creatures like Griffins.

     Griffins, fascinating creatures that are half-lion and half-eagle amalgams, grace the façades of numerous buildings in Jackson Heights. These majestic beings typically possess bird-of-prey talons for feet and lion-like tails. Although occasionally depicted without wings, or even as wingless eagle-headed lions, these figures bear a striking resemblance to Griffins. Interestingly, even the neighborhood's local school, Garden School, an independent nursery through twelfth grade, has adopted the Griffin as its mascot.

While some of the statues in Jackson Heights may resemble guarding lions more than take-flight griffins, there is undoubtedly a family resemblance. However, I must confess that I am not a pedant when it comes to classifying mythological creatures, and their presence in the neighborhood adds to their unique character and charm.

The abundance of griffins in Jackson Heights has a historical significance that traces back to the neighborhood's early days. When the Inter-Borough Rapid Transit company constructed the 7 elevated line that runs over Roosevelt Avenue, Jackson Heights and much of Queens were mostly undeveloped farmland, with only a few notable features such as the waterfront natural harbors in Flushing and Long Island City. However, the arrival of the elevated subway sparked a wave of housing development. The Queensborough corporation, whose remnants can still be seen, particularly at the corner of 79th Street and 37th Avenue, decided to build "garden apartments," forever altering the area's landscape. The apartment buildings were billed as convenient upper-middle class residences for the white, non-Jewish, non-Catholic, white-collar set. One brochure for one of the apartment buildings, The Towers, reads, "The people you find at Jackson Heights are only those people you want to associate with." Anyway, after the Second World War — with the advent of white flight in the 1960s and 1970s, the demographics of the neighborhood shifted — but the garden apartments remain — in their unsullied glory. And the griffins. Talons out! 

If you take a stroll through Jackson Heights, you can spot various griffins and griffin-like statues in specific locations. Here are some approximate locations where you can find these captivating figures:

• 72nd Street and 35th Avenue - Griffin
• 75th Street and 35th Avenue - Griffin
• 81st Street and 37th Avenue - Griffin
• 81st Street between Northern Boulevard and 34th Avenue
• 34-48 81st Street (between 35th and 34th Avenues) - Stone carving of two Griffins above the doorway
• 80th Street between 37th and 35th Avenue

If you happen to discover any additional griffins or statues not listed here, please let me know in the comments. Jackson Heights continues to be a treasure trove of fascinating historical and architectural delights, and the presence of these mythical creatures only adds to its allure.

Works Cited

Antos, Jason D., and Theodosiou, Constantine E. Jackson Heights. United States, 

    Arcadia Publishing, 2013.

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Travel Postcard: That Time I Visited a Public Library in Saltillo, Mexico

In this post, I write about finding a photograph of me standing in front of a public library in Saltillo, Mexico.

Greig poses in front of a public library in the city of Saltillo in Coahuila, Mexico (c. 1998).

On a Trip to Mexico When I was Seventeen and a College Seminarian 

I am guessing my friend Tony took this photograph of me standing in front of a public library in Saltillo, Mexico, sometime in 1998 or 1999. I am about seventeen years old in this picture — and I was on a trip to Mexico with a bunch of seminarians.

Finding Old Pictures of Me (And Why I Love Libraries)

I found the photograph in a stack of pictures that I had stashed away at my mother's house in Louisiana. Armed with my photo scanner (i.e., my iPhone), I scanned the picture. At first, I had no recollection of where the picture was taken. We had gone to a few cities on this trip, having driven a van from New Orleans, Louisiana, to Laredo, Texas, to Monterrey, to Saltillo, and then to Mexico City. Was the picture taken in Mexico City? No. In Monterrey? No. After a bunch of failed internet searches, I finally found out the picture's location after stumbling upon a similar-looking building on a website dedicated to the history of Mexico via photography. Voila! It's the public library in Saltillo (located in the Mexican state of Coahuila!), La Biblioteca Publica del Estado. 

I look thrilled and content in the photograph. I am obviously excited to be standing in front of the library. Here is the library from an archival photograph I found:

La Biblioteca Publica del Estado, Coahuila, Saltillo — Image Credit: Photo archived by Gerardo Zárate 

The Symbolism of the Library (for me)

Libraries are symbolic for me — they symbolize free access to information, reading, literacy, and learning that attempt to scale above the prescription that education is fixed and only for a certain type of people. I love how the door to this library is open — adorned with Corinthian columns, another symbol — of the liberal arts — and people are seated on the steps. Libraries are public spaces, as well as places of learning and knowledge.

When you visit a new place, where do you like to go? Let me know in the comments.

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All Hallows' Eve in Greenwood Cemetery and Sunset Park, Brooklyn (Special 2020 Halloween Post)

In this post, I regale you with pictures and musing from an All Hallows' Eve visit to Greenwood Cemetery and Sunset Park, Brooklyn. It was a beautiful Autumn Day and we are all cognizant of the need to physical-distance ourselves — so what better way to do that than to be outdoors in a massive cemetery?

A front lawn on a sidestreet in Sunset Park 

hosts a fortune-telling witch.

Exploring Greenwood Cemetery on All Hallows’ Eve, I scored a handful of great photographs. Located in South Brooklyn, the cemetery is one of the oldest graveyards in the city and is a site of a Revolutionary War battle. @historicgreenwood is also a National Historic Landmark. My friends John and Jennifer joined me; we also went to Sunset Park, my old neighborhood. Scarfed down a torta stuffed with spicy pork at @tacoselbronco, scored a free beer from a passerby, and watched the D train come out of the tunnel on Fourth Avenue — it was a serendipitous day.

 

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Photograph: "Chrystie Street, Lower Manhattan"

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Parking Garage, Chrystie Street, Lower Manhattan @lowermanhattan. . . . . #manhattan #selfcamera #selfie #picoftheday #4banger #instadaily #newyorkerbag #photooftheday #newyorkcitylife #parkinggarage #instagood #newyorker #newyorkcity #ig #fashion #dmvmeets #usa #newyork #taillights #nyc #parkinglot #architecture #dopeshot via stonesoferasmus.com

A post shared by Greig Roselli (@greigroselli) on Aug 3, 2015 at 7:59am PDT

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All Ready Made (Building #7), 2012-2013

View from the New Museum, The Bowery, New York City, 2013

Carrot Black
b. 2011 New York, NY

All ready-made (Building #7), 2012-2013
Brick, mortar, steel, concrete, sheetrock, living people, found objects

Art is meta. Looking out the window at the New Museum on Bowery the other day, the back wall of a building is in view affixed with a ginormous title card, the same style and font found in museums. I like how the title card makes me think of the wall it is affixed to as art - as if the card itself authorizes the wall as an art object, perhaps a swirling Rothko or a new experiment in Abstract Expressionism. Or maybe it's just a wall. Hmmmm. *scratching my chin*

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Jacques Derrida in the News

For fun and laughs, I like to search "Jacques Derrida" in the Google News search engine to see if the posthumous philosopher has made any recent headlines.

I found something today!

He is referenced in a New York Observer article by Jonathan Liu on architecture and performativity (07/12/2011):

The talk about architecture as performance must conjure up the 1980s and deconstruction:

Meanwhile, Peter Eisenman spent the 1980s conceptualizing deconstructivist architecture with Jacques Derrida and the naughties building a stadium for the Arizona Cardinals.

Does this stadium look "deconstructed" to you?

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Lemme know what you think in the comments below.

Aesthetic Thursday: "Agrippa Fecit": The Pantheon of Rome

I bookmark a few facts about the Pantheon in Rome in this post.

View of the Exterior of the Pantheon
Image Credit: Greig Roselli

1. The Pantheon in Rome is an ancient temple built by the Roman Emperor Hadrian between 118 and 125 AD on the site of an earlier temple commissioned by Marcus Agrippa. 

2. It was initially dedicated to all the gods of Ancient Rome, but it has since been used as a Catholic church known as Santa Maria ad Martyres.

3. The building is renowned for its architectural achievement, with a giant dome that covers the entire main chamber and an oculus at its center, which allows natural light to enter the room below it.

4. The Oculus measures approximately 8 meters (27 feet) wide. It allows sunlight into the Pantheon during daytime hours when opened fully - although there are no windows or other means of entering direct light inside otherwise!

5. Inside, you can find many beautiful sculptures, such as statues of major gods from Ancient Greece & Rome, and paintings on marble walls depicting scenes from Roman mythology & history - making this one of the most impressive monuments in Italy!

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Video Credit: Ariel Viera

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