Repost from the Brooklyn Institute for Social Research - "Dreams and Hysteria: An Introduction to Freud"

Sharing The Myth of Sisyphus With Kids: The Original Rolling Stone

I’ve been teaching Greek myth to a class of 8-12-year-olds since February, and it’s been so much fun hearing what the kids say about myths when they process the psychological insights I can share. One of the primary themes of our class has been how and why the myth is still relevant today, thousands of years after these stories were first told. A particularly useful recent lesson was on the myth of Sisyphus, an excellent metaphor for human struggle.

The Myth of Sisyphus

Sisyphus was a Greek king in the evil trickster mold who found trouble with Zeus when he traded his knowledge of where Zeus was cavorting with a river nymph to her father in exchange for a spring of pure water for the people of his kingdom. In anger, Zeus had Sisyphus carried away to the underworld, but Sisyphus tricked Death into wearing his chains. No one could die until Ares released Death and gave Sisyphus to him.

Sisyphus tricked Death once again (Death must not have been the brightest guy), persuading him that since his (Sisyphus’) wife hadn’t performed the proper funeral rites, he must return to the upper world to correct the situation. Once there, of course, he lived happily for another 50 years or so.

For his offenses against the honor of the gods, Sisyphus is punished by being forced to push a large rock up a steep hill, only to see it roll back down again. He must trek down to the bottom of the mountain and start pushing still.

French-Algerian Writer Albert Camus Reinvents the Myth of Sisyphus for Modern Readers

In his seminal essay, The Myth of Sisyphus, Camus writes about this myth, arguing that Sisyphus’ fate is the fate of every human. Every day we must do the same tasks: going to work, cleaning our homes, and making our meals. We roll the rock up the hill; each day, it rolls back down, and we must start again.

However, Camus argues that Sisyphus is not genuinely cursed because he isn’t unhappy with his fate. The gods can force him to repeat this task, but they can’t force him to hate it. He is content, and therefore Zeus’ punishment has failed.

Teaching the Myth to My Kids in the Classroom

It was refreshing when I explained all of this to my kids because they asked brilliant questions. They always want to know why the characters in Greek myths didn’t make different, better choices. One question came up: why doesn’t Sisyphus chip away at the rock to make it smaller and more manageable for himself? I compared that to working less hard on studying for an exam and getting a “C” instead of an “A.” You can always take steps to make things easier for yourself, but you’d be cheating yourself at the same time. They got it, and it was cool to see them getting it.

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Alighiero Boetti On Reality

First of all I prefer thought. This is the basic thing. I really think manual skill is secondary …. It’s taking things from reality. Everything, however small and humble, always has a beginning and stems from reality. 

Alighiero e Boetti

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Carrot Black in Soho

Stumbled onto Carrot Black's street art again today in SoHo right next to the Mulberry Branch of the New York Public Library. Wonder where I'll see Carrot next.

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All Ready Made (Building #7), 2012-2013

View from the New Museum, The Bowery, New York City, 2013

Carrot Black
b. 2011 New York, NY

All ready-made (Building #7), 2012-2013
Brick, mortar, steel, concrete, sheetrock, living people, found objects

Art is meta. Looking out the window at the New Museum on Bowery the other day, the back wall of a building is in view affixed with a ginormous title card, the same style and font found in museums. I like how the title card makes me think of the wall it is affixed to as art - as if the card itself authorizes the wall as an art object, perhaps a swirling Rothko or a new experiment in Abstract Expressionism. Or maybe it's just a wall. Hmmmm. *scratching my chin*

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