to get ready for the Banana Republic shoot,
the “I love it when you look at me” pose.
she’s singularly angular, positioned on a bar,
her brother at her side,
singing glad hallelujahs to the boys passing by.
Everyone loves a stare, a glance, une regarde,
but this gal wallows in it,
lapping up the paparazzi shots, the mental
undressing behind the pews.
She loves it;
she’s sick,
or possibly stuck in a Truffaut film.
he loves it,
complete.
And we are so sick that we stare anyway,
because we know he, she, they love it.
the “I love it when you look at me” pose.
she’s singularly angular, positioned on a bar,
her brother at her side,
singing glad hallelujahs to the boys passing by.
Everyone loves a stare, a glance, une regarde,
but this gal wallows in it,
lapping up the paparazzi shots, the mental
undressing behind the pews.
She loves it;
she’s sick,
or possibly stuck in a Truffaut film.
he loves it,
complete.
And we are so sick that we stare anyway,
because we know he, she, they love it.